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← Back to all issuesGranta 121: The Best of Young Brazilian Novelists
Autumn 2012
Brazil, the great Jorge Amado said, is not a country but a continent. In this latest instalment of the Best of Young Novelists series that introduced Jonathan Franzen, Salman Rushdie, A.L. Kennedy and Zadie Smith, Granta presents the young writers who are telling modern Brazil’s vast and compelling story – and who are its future.
From this Issue
Essays & Memoir|Granta 121
Essays & Memoir|Granta 121
The Best Untranslated Writers
Laura Erber, Michel Laub & Ricardo Lísias
Three of Granta’s Best of Young Brazilian Novelists introduce Brazilian novelists whose work has not yet been widely translated.
Essays & Memoir|Granta 121
Essays & Memoir|Granta 121
Foreword: The Best of Young Brazilian Novelists
Roberto Feith & Marcelo Ferroni
This is the first edition of Granta dedicated to Brazilian writing. It is being...
Fiction|Granta 121
Fiction|Granta 121
Animals
Michel Laub
‘I only stopped playing with him when he began biting the fingers of anyone who tried to pet him.’
Fiction|Granta 121
Fiction|Granta 121
Violeta
Miguel Del Castillo
‘As if they longed to dive in but somehow couldn’t manage to.’
Fiction|Granta 121
Fiction|Granta 121
Fiction|Granta 121
Fiction|Granta 121
Every Tuesday
Carola Saavedra
‘A stranger may well function as a projection screen.’
Fiction|Granta 121
Fiction|Granta 121
Fiction|Granta 121
Fiction|Granta 121
That Wind Blowing through the Plaza
Laura Erber
‘I didn’t go for the dental treatment, or for the gypsy dancing’
Fiction|Granta 121
Fiction|Granta 121
Fiction|Granta 121
The Dinner
Julián Fuks
‘Sebastián can do nothing but seek refuge in his dinner plate.’
Fiction|Granta 121
Fiction|Granta 121
Fiction|Granta 121
Valdir Peres, Juanito and Poloskei
Antonio Prata
‘The only path to tread, from now on, was downward.’
Fiction|Granta 121
Fiction|Granta 121
Tomorrow, upon Awakening
Antônio Xerxenesky
‘He more than anybody else needs to define his symbols for the year to com.’
Fiction|Granta 121
Fiction|Granta 121
Rat Fever
Javier Arancibia Contreras
‘Everything around me, myself included, is warm and sticky.’
Fiction|Granta 121
Fiction|Granta 121
Far from Ramiro
Chico Mattoso
‘Through the eyes of the intruder, Ramiro saw the invasion of his own space.’
Fiction|Granta 121
Fiction|Granta 121
Fiction|Granta 121
Lion
Luisa Geisler
‘The better they were at escaping, the quicker, more daring they were, the harder the cat chased them.’
Fiction|Granta 121
Fiction|Granta 121
Still Life
Vinicius Jatobá
‘You see the house and its time, the house and the house alone, though your secrets, your fears and silences still exist there, locked away behind the denseness of the closed doors’
Fiction|Granta 121
Fiction|Granta 121
Apnoea
Daniel Galera
‘I could make you promise much worse things.’ Daniel Galera muses on unknown family histories.
Fiction|Granta 121
The Online Edition
Essays & Memoir|The Online Edition
God is Brazilian
André Barcinski
‘Guys like V seem to be everywhere in Brazil these days: riding in vehicles they can’t afford, buying the latest generation TV sets and smart phones, getting hooked on endless installment plans and the allure of easy credit.’
Essays & Memoir|The Online Edition
Pola Oloixarac on Julián Fuks
Julián Fuks & Pola Oloixarac
‘It is a rare pleasure to read Saer’s influence through the Brazilian music of Julián Fuks’ language, with his keen and almost obsessive eye for detail.’
Fiction|The Online Edition
Man Crossing Bridges
Ronaldo Correia de Brito
‘He prefers the battles of the bed, but his wife insists on his keeping to a severe containment.’
Essays & Memoir|The Online Edition
Rodrigo Hasbún on Antônio Xerxenesky
Antônio Xerxenesky & Rodrigo Hasbún
‘Seven pages are also enough, the seven that make up this story, to discover Xerxenesky’s extraordinary talent.’
Essays & Memoir|The Online Edition
Samba e Choro
Javier Montes
‘I think the cities we remember best are the ones that greet us with the utmost cruelty.’
Essays & Memoir|The Online Edition
Introducing Luisa Geisler
Elvira Navarro
‘To see everything large and to see it all for the first time is what a child’s eyes constantly do.’
Essays & Memoir|The Online Edition
Introducing Miguel Del Castillo
Andrés Neuman
‘And questions, more than heroes, are the material from which good stories are made.’
Fiction|The Online Edition
That Year in Rishikesh
Adriana Lisboa
‘The pulp from her processing of the world was a mixture of past, present, dreams, imagination, films, books, newspaper articles, anything.’
In Conversation|The Online Edition
Vinicius Jatobá and Jethro Soutar | Podcast
Vinicius Jatobá & Jethro Soutar
Vinicius Jatobá and his translator Jethro Soutar discuss the challenges of translating his story ‘Still Life’ the role of China in the story and the intimate bond between author and translator.
Essays & Memoir|The Online Edition
Sònia Hernández on Carola Saavedra
Carola Saavedra & Sònia Hernández
‘It’s quite uncommon to find dialogues that engulf you from the first word.’
Essays & Memoir|The Online Edition
Introducing Laura Erber
Dara Horn
‘Do yourself a favour: do not read Laura Erber’s ‘That Wind Blowing through the Plaza’ only once.’
Essays & Memoir|The Online Edition
Toby Litt on Ricardo Lísias
Ricardo Lísias & Toby Litt
‘In every word I saw a true untrue Gogol, and I felt joy.’
Essays & Memoir|The Online Edition
Dry Flowers from the Cerrado
Milton Hatoum
‘People say that Brasilia’s new national library opened before it had any books. Is that a metaphor for many politicians’ minds? Or for these times we’re in?’
Essays & Memoir|The Online Edition
Introducing J.P. Cuenca
Andrés Felipe Solano
‘From the future, Cuenca narrates Rio’s collapse and the personal fall of the main character. He does it with the elegant distance of a data collector but also with the terrifying certainty of one who knows there’s no going back.’
Essays & Memoir|The Online Edition
Javier Montes on Emilio Fraia
Javier Montes
‘Fraia sets himself the most difficult and respectable task a writer can face: unveiling the mystery without revealing the secret.’
Essays & Memoir|The Online Edition
House Style: Editing Brazil
Yuka Igarashi
‘We’re freaks . . . Why are we still talking about typos?’
Essays & Memoir|The Online Edition
Introducing Daniel Galera
Alejandro Zambra
‘It’s hard to introduce Daniel Galera’s tale without resorting to adjectives that are more likely to arouse distrust than interest.’
In Conversation|The Online Edition
Melanie Rae Thon on Vinicius Jatobá
Vinicius Jatobá & Melanie Rae Thon
‘You see that the only thing that seems to move in its atmosphere is dust suspended against a fine thread of sunlight, that time itself sleeps lazily on the stupefied clocks.’
Fiction|The Online Edition
Final Dispatch: End in Pizza
Juan Pablo Villalobos
‘Those are not prisons, they are condominiums for rich people. Or at least that is what rich people think.’
In Conversation|The Online Edition
Adam Thirlwell on Michel Laub
Michel Laub & Adam Thirlwell
‘The thing I really love about this story is how it manages its matryoshka feat – to be at once a free floating meditation, leaping like some street cat from wall to wall, while also going deeper and deeper into a single theme.’
Essays & Memoir|The Online Edition
Introducing Javier Arancibia Contreras
Andrés Barba
‘In this story, the troubled translator’s only interlocutor is, of course, a rat with human vices and traits.’
Fiction|The Online Edition
Brazil: A User’s Guide
Juan Pablo Villalobos
‘The Brazilian banking system was created by a Czech writer called Franz Kafka.’
In Conversation|The Online Edition
Kevin Brockmeier on Leandro Sarmatz
Leandro Sarmatz & Kevin Brockmeier
Kevin Brockmeier introduces Granta Best of Young Brazilian Novelist Leandro Sarmatz.
Essays & Memoir|The Online Edition
Six Brazilian Songs
Teju Cole
Teju Cole shares six favourite Brazilian songs.
Essays & Memoir|The Online Edition
Rachel Seiffert on Vanessa Barbara
Rachel Seiffert & Vanessa Barbara
‘A story that starts with a bereavement: already I’m drawn in.’
Fiction|The Online Edition
Second Dispatches from Ambassador to Brazil, Earth
Juan Pablo Villalobos
‘Forget about football: queuing and stamping are Brazil’s national sports.’
Essays & Memoir|The Online Edition
Introducing Tatiana Salem Levy
A.L. Kennedy
Tatiana Salem Levy is introduced by previous double Best of Young British Novelist, A.L. Kennedy.
Fiction|The Online Edition
Dispatches from Ambassador to Brazil, Earth
Juan Pablo Villalobos
‘In Brazil it is crucial not to be Argentinian. Add that to our Earth mission’s proceedings manual under the topic ‘Cultural Affairs’.’
In Conversation|The Online Edition
Alison Moore | Podcast
Alison Moore & John Freeman
Alison Moore spoke to John Freeman about the experience of being shortlisted for the Man Booker Prize, why her characters often find themselves enclosed in a memory and writing short.
Essays & Memoir|The Online Edition
Anthony Shadid
Cecil Hourani
‘Anthony’s life was a triumph and a tragedy. It was a tragedy which I believe he foresaw.’
Fiction|The Online Edition
Accident
Etgar Keret
’Thirty years I’m a cabbie,’ the small guy sitting behind the wheel tells me, ’thirty years and not one accident.’
Fiction|The Online Edition
Even Pretty Eyes Commit Crimes
M.J. Hyland
‘My father was sitting on my doorstep. He was wearing khaki shorts, his bare head was exposed to the full bore of the sun, and he was holding a pineapple.’
Essays & Memoir|The Online Edition
Brazilian Diary
Cynan Jones
‘It’s quite a phone call to get: ‘Will you go to Brazil for us?’’
Essays & Memoir|The Online Edition
How To Read Brazil
Vanessa Barbara, Daniel Galera & Chico Mattoso
Vanessa Barbara, Daniel Galera and Chico Mattoso share three essential works by Brazilian authors.
In Conversation|The Online Edition
Marcelo Ferroni | Interview
Marcelo Ferroni
‘This is an exciting moment for Brazilian literature. We may see a batch of new, vibrant novels, really soon.’
|The Online Edition
The Best of Young Brazilian Novelists
John Freeman
Brazil, the great Jorge Amado said, is not a country but a continent. In this...
Poetry|The Online Edition
Blue Sky Thinking
Gillian Clarke
‘Let’s do this again, ground the planes for a while and leave the runways to the racing hare.’
In Conversation|The Online Edition
Marcelo Ferroni | Interview
Marcelo Ferroni & John Freeman
‘There’s a vibrant new generation of writers, trying to do something very different with Brazilian literature.’