Vinicius Jatobá and his translator Jethro Soutar discuss the challenges of translating his story ‘Still Life’ the role of China in the story and the intimate bond between author and translator.
‘I didn’t think she was happy; I thought she was in love, but I didn’t know what that told me, if it told me anything.’
Fiction by Jennifer Atkins.
‘She has been ten for a month and she does not like it. She carries the weight of her extra digit like a chain-mail vest.’
Fiction by Sara Baume.
‘I could hear the sea, and I could hear my own name.’
Fiction by Eliza Clark.
‘There was to be an exhibition. There were lots of pictures like his, apparently – of waiters, pastry cooks, valets, bellboys.’
A story by Tom Crewe.
‘I don’t remember his face, nor him as a whole.’
Derek Owusu on fathers and family.
‘So that was betrayal: in a magical realm, assassins and elves were involved in a conspiracy to overthrow the king. Or something like that.’
‘You see that the only thing that seems to move in its atmosphere is dust suspended against a fine thread of sunlight, that time itself sleeps lazily on the stupefied clocks.’
‘You see the house and its time, the house and the house alone, though your secrets, your fears and silences still exist there, locked away behind the denseness of the closed doors’
‘I wanted to learn everything there was to know about the singer and his words.’
Dee Peyok on craft and the Cambodian musician: Sinn Sisamouth.
