In the Garden
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Katherine Faw Morris | Interview
Katherine Faw Morris & Yuka Igarashi
‘I wanted her to be a pit bull.’
Norman Rush and Colin McAdam in Conversation
Colin McAdam & Norman Rush
‘Who should write memoirs? I have the not-entirely-serious and absurdly restrictive idea that only morally extraordinary people could write them honestly without much shame’
Interview
Fiona Benson & Rachael Allen
‘I’ve always wanted to write from the gut, to write instinctively rather than cerebrally.’
Demeter
Fiona Benson
‘I head down the path hoping she’ll come / but when I look back she’s gone and my own voice / snags at her name like barbed wire on skin.’
Kinder Than Solitude
Yiyun Li
‘Being let down was Celia’s fate; life never failed to bestow upon her pain and disappointment she had to suffer on everyone’s behalf, so that the world could go on being a good place, free from real calamities.’
Picnic
Emily Berry
‘Watching the sea is like watching something in pieces continually striving to be whole / Imagine trying to pick up a piece of the sea and show it to a person / I tried to do that.’
Teenage Wastelands
Jim Ruland
‘It took me seven years of marriage to figure out that my wife is a hardcore Pearl Jam fan.’
David Gates and Bernard Cooper In Conversation
David Gates & Bernard Cooper
David Gates and Bernard Cooper talk about their contributions to Granta 126: do you remember, untricky writing and purgatory mates.
The More We Think About It
Michael Earl Craig
‘Yeah, something has slapped us. / We have definitely seen something.’
The Indian Uprising
Ann Beattie
‘Then winter ended and spring came, and I thought, even if I don’t believe there’s a poem in anything any more, maybe I’ll write a story.’
The Defeated
Jonny Steinberg
‘Peter Mitchell died on a frontier, not so much between black and white, or between the landed and the landless, as between the past and the future.’
The Magic Box
Olivia Laing
‘It never gets dark in Times Square. Sometimes I’d wake at two or three or four and watch waves of neon pass through my room.’ An essay on David Wojnarowicz's work, life and archives.
Thank You for Having Me
Lorrie Moore
‘Every day there was something new to mourn and something old to celebrate.’
The Common Cold
Laura Kasischke
‘But here we are again, you and I, the / two of us, tangled / up and biological.’
Nudity
Norman Rush
‘I nursed a precocious rage at the stratagems society was employing to keep me from seeing naked women.’
The Emily Dickinson Series
Janet Malcolm
The Emily Dickinson Series is a collection of collages by Janet Malcolm that appear in Granta 126: do you remember.
Toboggan Run
Fiona Benson
‘What would I give / to be one of those swimmers in all this snow, / swallowed by the cold and the night’s strange radiance?’
My Avant-Garde Education
Bernard Cooper
‘My response to art was quick, metabolic and revelatory, while my response to sex was a muddle of delayed reactions and missed libidinal signals.’
A Killing
Katherine Faw Morris
COKE SMELLS COLD AND CHEMICAL LIKE THE INSIDE OF A REFRIGERATOR. It’s what back then smells like, now when she thinks of it.
Off the Road
Andrew Brown
‘She acted as if her own desires magnetized the world, and when you were close to her, she magnetized your moral compass too.’
Spelling Problem
Lydia Davis
‘A woman from Barnard College calls me and asks if I would please spell ‘hemorrhaging’ for her.’
A Hand Reached Down to Guide Me
David Gates
‘It took longer and longer for the next one to come, and then there wasn’t a next one.’
Ann Beattie | First Sentence
Ann Beattie
‘Several times I’ve wanted to title something one thing, but have realized or been persuaded it isn’t a good idea.’
My Mother’s Death Party
Ben Janse
‘When I was eleven I fell out of a tree. This is why I can see into the future.’
Laura Kasischke | First Sentence
Laura Kasischke
‘There really was a moth I found in a toolbox (not as musical or interesting as ‘strongbox’), alive, in the attic, in that box.’
Catherine Lacey | Interview
Catherine Lacey & Louise Scothern
‘It's uncomfortable, at times, to be alive, so I see no reason why a voice in fiction shouldn't be also.’
Small Differences
Catherine Lacey
‘Everyone should just sit very still until they reach the calmer waters of later-young-adulthood, that promised land of lowered expectations.’
