‘If I had known she were heading for Tokyo then, and if I had known she thought of Tokyo as a city of zombies, I would have wanted to know, of course, whether she saw me that way, too.’
Toshiki Okada’s ‘Breakfast’ seems as though it ought to provide plenty of material for a discussion of the challenges with which it confronts a translator. Here is one candidate: its punctuation. The punctuation is decidedly non-English. How does one translate a comma from Japanese into Englis…
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Doctors, solitude and the stones within us – for fiction about isolation, it has to be Haruki Murakami. Translated from the Japanese by Jay Rubin.
‘Things have changed without seeking permission.’ A plague diary of this March, by Gonçalo M. Tavares, translated from the Portuguese by Daniel Hahn.
‘Our view of the morning’s entertainment was restricted by the width of the door frame.’ Bruce Chatwin writes about his imprisonment during a coup in Benin.
‘A leech bodes this: you will, sooner or later, overflow yourself. ’ Rebecca Giggs on leeches and the borders of the human body.
‘Her eyes fluttered open and I felt like I was at the edge of the mouth of a cave, with every intention of jumping in.’ For pure escapism, lose yourself in the nineteenth-century Paris of Carmen Maria Machado.
‘What a strange, terrible, exciting present – something you have to defile in order to appreciate.’
‘My wife and I lay side by side, the bear looming over us in the same way a crucifixion scene looms above the pews inside a Catholic church.’
Short fiction by Naomi Ishiguro.
Lucia Osborne-Crowley on why The Argonauts by Maggie Nelson is the best book of 2015.
Nicole Flattery on why Penelope Mortimer’s The Pumpkin Eater is the best book of 1962.
‘Shells, like the kind on the sand of the beach, that’s all they are. That’s all any of us are. All these colored shells, each one trying to be picked up before the rest.’ New fiction by Lisa Taddeo.
‘The coronavirus seemed to demand immediate responses to the questions we’d been struggling with for years.’
