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Final Dispatch: End in Pizza

Juan Pablo Villalobos

‘Those are not prisons, they are condominiums for rich people. Or at least that is what rich people think.’

Sparks

Carol Bensimon

‘Your anywhere is a river you watch as you smoke.’

Adam Thirlwell on Michel Laub

Michel Laub & Adam Thirlwell

‘The thing I really love about this story is how it manages its matryoshka feat – to be at once a free floating meditation, leaping like some street cat from wall to wall, while also going deeper and deeper into a single theme.’

Introducing Javier Arancibia Contreras

Andrés Barba

‘In this story, the troubled translator’s only interlocutor is, of course, a rat with human vices and traits.’

Brazil: A User’s Guide

Juan Pablo Villalobos

‘The Brazilian banking system was created by a Czech writer called Franz Kafka.’

Kevin Brockmeier on Leandro Sarmatz

Leandro Sarmatz & Kevin Brockmeier

Kevin Brockmeier introduces Granta Best of Young Brazilian Novelist Leandro Sarmatz.

Six Brazilian Songs

Teju Cole

Teju Cole shares six favourite Brazilian songs.

Rachel Seiffert on Vanessa Barbara

Rachel Seiffert & Vanessa Barbara

‘A story that starts with a bereavement: already I’m drawn in.’

Second Dispatches from Ambassador to Brazil, Earth

Juan Pablo Villalobos

‘Forget about football: queuing and stamping are Brazil’s national sports.’

Anecdotes

Ann Beattie

‘Christine’s hair had begun to dry, and she looked different, with her hair down and her glasses on. Her earnestness made her look younger, and took me back to the bar where we’d sat in Pennsylvania years ago.’

Introducing Tatiana Salem Levy

A.L. Kennedy

Tatiana Salem Levy is introduced by previous double Best of Young British Novelist, A.L. Kennedy.

Dispatches from Ambassador to Brazil, Earth

Juan Pablo Villalobos

‘In Brazil it is crucial not to be Argentinian. Add that to our Earth mission’s proceedings manual under the topic ‘Cultural Affairs’.’

Deborah Levy | Podcast

Deborah Levy & Ted Hodgkinson

Here Deborah Levy spoke to online editor Ted Hodgkinson about why as she wants to resist anything resembling a comfort zone and why writing fiction is about ‘finding reasons to live’.

Brad Feuerhelm | Podcast

Brad Feuerhelm & Ted Hodgkinson

Brad Feuerhelm spoke to online editor Ted Hodgkinson about the stories that lie behind his images from the issue and how his work is informed by his love of horror movies.

Alison Moore | Podcast

Alison Moore & John Freeman

Alison Moore spoke to John Freeman about the experience of being shortlisted for the Man Booker Prize, why her characters often find themselves enclosed in a memory and writing short.

Hilary Mantel Wins Second Booker Prize

Anne Meadows

In 2009 Hilary Mantel won the Man Booker Prize for her extraordinary novel Wolf Hall....

Jeet Thayil | Podcast

Jeet Thayil & Ted Hodgkinson

Jeet Thayil talked to online editor Ted Hodgkinson about being shortlisted for the Booker, the images of Christ woven into his novel Narcopolis and an unexpected digression on Blade Runner.

The Island of Hawkers

Tan Twan Eng

‘Suspecting (rightly) that you have been eating diluted, unauthentic versions of the real thing, you realize you have to go to Penang, the best place to eat street food in Malaysia.’

Frogs

Mo Yan

‘Once the preposterous reality set in, we were overcome by sadness.’

Mo Yan | Interview

Mo Yan & John Freeman

‘My life is more current, more contemporary and the cutting throat cruelty of our contemporary times limits the romance that I once felt.’

Victor LaValle | Interview

Victor LaValle & John Freeman

‘Our battle is between those trapped inside the institutions of modern American life (our economic and political systems in particular) and those who manipulate such institutions for their own profit.’

Exit Music

Chris Drangle

‘The only sound in the cabin is the droning of the engine.’

Grand Mal

Patrick Ryan

‘And this is what very few novels or movies have ever gotten right about amnesia: it’s not exotic; it’s horrific and sad-making. I was sad because I had no story.’

D.T. Max | Podcast

D.T. Max

D.T. Max on about why ‘David always wanted to be one David’, the solace he found in twelve-step programmes and what his use of wiper-fluid, on a car ride with Jonathan Franzen, reveals about his prose style.

The Wig

Han Dong

‘Hu Yanjun had got his hands on a wig, and was trying it on in front of the mirror when his friend Wang Xinghai came to see him.’

Han Dong | Interview

Han Dong & Philip Hand

‘Inflaming readers isn’t a good thing; I want to entice them.’

Religion Against Humanity

Wole Soyinka

‘The world should not continue to acquiesce in the brutal culture of extremism that demands the impossible.’

The Metaphoreign Body

Tod Wodicka

‘Finally, I was reduced to a piece of matter, solid and real and mute and totally absorbed inside a foreign system.’

Salman Rushdie | Interview

Salman Rushdie & John Freeman

‘I'm not quite the same person as the ‘me’ about whom the book is written.’

A Dose of Winter Medicine

Kseniya Melnik

‘I looked at the carpet in her small living room. This is where she had fallen and lay for twenty-four hours before her younger sister, Auntie Tanya, had found her.’

Meeting the psychiatrist’s wife

Lorraine Mariner

‘The psychiatrist’s wife / has a dress the colour / of that bottle of claret / you shouldn’t have drunk / last night.’

Shackleton’s Medical Kit

Gavin Francis

‘Each box was like the distillation of all that we have learned as a species about our bodies and their infirmities, a time capsule of medicine at the start of the twenty-first century.’

Anthony Shadid

Cecil Hourani

‘Anthony’s life was a triumph and a tragedy. It was a tragedy which I believe he foresaw.’

Accident

Etgar Keret

’Thirty years I’m a cabbie,’ the small guy sitting behind the wheel tells me, ’thirty years and not one accident.’

The Doctor Will See You Now

Amit Majmudar

‘The patients who really need seeing are usually unaware they are being seen.’

Nicola Barker | Interview

Nicola Barker & Yuka Igarashi

‘I’ve always thought of myself as someone who writes outside of the dominant culture; an outsider looking in.’