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← Back to all issuesGranta 124: Travel
Summer 2013
From the Amazon to rural China, west Texas to the caves that lurk beneath the Peak District, this issue of Granta takes you out of your chair and out into the world. Haruki Murakami goes home to Kobe, Teju Cole meditates on danger in Lagos and Lina Wolff imagines a woman adrift in Madrid. Here are eighteen collisions between people and the places that have made them, shaped them and terrified them.
From this Issue
Fiction|Granta 124
Fiction|Granta 124
The Captain
Rattawut Lapcharoensap
‘I was with Dora. We were in love. Things were cheap and plentiful and the money from the insurance was going to last us forever.’
Essays & Memoir|Granta 124
Essays & Memoir|Granta 124
The Perfect Last Days of Mr Sengupta
Siddartha Mukherjee
‘The point of lucid death,’ he said, ‘is to retain the consciousness of dying, while blunting the agony of it.’
Essays & Memoir|Granta 124
Poetry|Granta 124
Fiction|Granta 124
Fiction|Granta 124
Nuestra Señora de la Asunción
Lina Wolff
‘No one here is normal except you, and you’re not even from Spain.’
Fiction|Granta 124
Fiction|Granta 124
The Man at the River
Dave Eggers
‘All he wants is to be a man sitting on a riverbed.’
Poetry|Granta 124
Poetry|Granta 124
String Theory
Samantha Wynne-Rhydderch
‘On tenterhooks / you think how string constricts, how / it connects, how you followed it back / to Rawtenstall.’
Essays & Memoir|Granta 124
Essays & Memoir|Granta 124
Essays & Memoir|Granta 124
A Rationalist in the Jungle
Héctor Abad
‘A pale-faced, near-sighted urbanite like me is nothing less than handicapped in the heart of the jungle.’
Art & Photography|Granta 124
Art & Photography|Granta 124
Tour Guide
Archive of Modern Conflict & Phil Klay
‘We record the reality we’re supposed to have, and then go back later and tell ourselves that it was the reality we experienced.’
Essays & Memoir|Granta 124
Essays & Memoir|Granta 124
Barrenland
A Yi
‘I no longer feared that she would entrap me; my heart would not soften.’
Essays & Memoir|Granta 124
Essays & Memoir|Granta 124
A Walk to Kobe
Haruki Murakami
‘What I’m talking about is a different sea, and different mountains.’ Haruki Murakami walks to his hometown after the Great Hanshin earthquake of 1995.
Poetry|Granta 124
Poetry|Granta 124
Compass Plant
Rachael Boast
One sprig should do, in a wayfarer’s satchel, to assist in losing all bearings until...
Art & Photography|Granta 124
Art & Photography|Granta 124
Seestück
Steffi Klenz
Artist Steffi Klenz recaptures portraits based on photographs of travellers, explorers and seamen who were lost in open waters, and whose bodies were never recovered.
Essays & Memoir|Granta 124
Essays & Memoir|Granta 124
The Best Hotel
Sonia Faleiro
I The village elder had recommended the hotel. He called it the best hotel in...
Poetry|Granta 124
Poetry|Granta 124
Geese
Ellen Bryant Voigt
there is no cure for temperament it’s how we recognize ourselves but sometimes within it...
Fiction|Granta 124
Fiction|Granta 124
Blood Money
Miroslav Penkov
‘At first the Gypsies didn’t know how to answer their cellphone.’
Essays & Memoir|Granta 124
Essays & Memoir|Granta 124
Water Has No Enemy
Teju Cole
‘The city is a sea that can swallow you at any time, a monster that can lash out without warning, a hell of variables and uncertainties.’
The Online Edition
In Conversation|The Online Edition
Rattawut Lapcharoensap | Interview
Rattawut Lapcharoensap & Yuka Igarashi
‘Sometimes all a story needs is an interesting, clearly defined confusion.’
Essays & Memoir|The Online Edition
Teachers
Sandy Tolan
‘They came from Europe, Palestine and America, drawn by the story of Ramzi and Al Kamandjâti, by the young traveller’s spirit of adventure, and by the desire to use their musical talents for work that could make a difference in the world.’
Essays & Memoir|The Online Edition
Lullaby
Mary Ruefle
‘I wasn’t bored, I was relaxed, and, I suppose, happy (I’ve never been able to figure out how happiness feels).’
Poetry|The Online Edition
Passing Place
Helen Mort
‘Stall here and let the world / go past, the way / the world well might / on heather-coloured days like this,’
In Conversation|The Online Edition
Mario Levrero | Best Untranslated Writers
Juan Pablo Villalobos
‘I knew he was a ‘strange’ writer, unclassifiable, with a boundless imagination, who was creating one of the most intriguing, thought-provoking bodies of work in the Spanish language.’
In Conversation|The Online Edition
Juan Pablo Villalobos | Podcast
Juan Pablo Villalobos & Rachael Allen
Juan Pablo Villalobos on class struggle in Mexico, parodying Mexican identity and the difficulty of translation.
Essays & Memoir|The Online Edition
Héctor Abad | First Sentence
Héctor Abad
‘Ever since this happened to me, I haven’t really believed in free will.’
Essays & Memoir|The Online Edition
Searching for Pavese
Alejandro Zambra
‘Something’s gone awry with this article. My intention was to remember, in his birthplace, a writer I admire, and it’s clear that my admiration has waned.’
In Conversation|The Online Edition
Oline Stig | Best Untranslated Writers
Lina Wolff
‘Oline Stig doesn’t blindly obey the narrow logic of the dramatic curve, and she lets the story branch where it is necessary. The end is surprising and, so to say, out of tune in a liberating way.’
In Conversation|The Online Edition
Sami Said | Best Untranslated Writers
Stephan Mendel-Enk
‘Frustrated reporters have described him whistling rather than answering their questions and giving most of the credit for the books to someone named Oscar. The only thing that seems certain about him is that he’ll continue to write.’
Essays & Memoir|The Online Edition
David Searcy | First Sentence
David Searcy
‘When I was a kid, my family doctor, right through high school, was this wonderful, funny guy with a little Boston Blackie moustache who looked a lot like Burgess Meredith.’
Essays & Memoir|The Online Edition
Miroslav Penkov | First Sentence
Miroslav Penkov
‘It was an old woman’s racism that inspired the first line of ‘Blood Money’.’
Essays & Memoir|The Online Edition
Cristhiano Aguiar | On Tour
Cristhiano Aguiar
‘Rabbits running across a campus and a beer named Hobgoblin: these are two of the topics noted in my small travel notebook.’
Essays & Memoir|The Online Edition
Chupa Globo (Globo Sucks)
Sophie Lewis
‘Carnival by stealth: ticketless, leaderless and limitless, a surge of feeling independent of schools, parties, king or queen; a true subversion of the status quo.’
In Conversation|The Online Edition
Lina Wolff | Podcast
Lina Wolff & Saskia Vogel
Lina Wolff on Dante, the artistic temperament and the tension she feels between a ‘Spanishness’ and ‘Swedishness’ when writing.
In Conversation|The Online Edition
Tao Lin | Interview
Tao Lin & Yuka Igarashi
Yuka Igarashi talks to Tao Lin about sense of place within the novel Taipei, his online presence and abstraction and metaphor in his writing.
Essays & Memoir|The Online Edition
Tao Lin | On Tour
Tao Lin
‘The editor of the Oregonian’s books section (Powell’s employees later confirmed to me that it was him, but they could be wrong) attended, I think, and asked in what sounded to me like an accusatory, non-curious voice if I was on drugs.’
In Conversation|The Online Edition
Sonia Faleiro | Podcast
Sonia Faleiro
Sonia Faleiro on marginalized narratives, her time as a reporter and how gender influences her work.
Fiction|The Online Edition
A Letter From Wales
Cynan Jones
‘Believe me – it will be impossible for you not to wonder – when I vow I am entirely sane.’
Fiction|The Online Edition
The Bridge Over Shuto Expressway No. 1
Alex Preston
‘Hiro Ōe wakes earlier now that he has the apartment to himself.’
Essays & Memoir|The Online Edition
The Third Pole
Gavin Francis
‘I came to the Himalayas not because of a dream of mountains or of animals, but because of a map.’
Fiction|The Online Edition
What Happened to Us
Humera Afridi
‘Trouble. There’s always trouble of some kind or other bringing the city to a standstill.’
Fiction|The Online Edition
Tombouctou
Jamal Mahjoub
‘After about three days in Djenné the lizards begin to talk.’
In Conversation|The Online Edition
Robert Macfarlane | Podcast
Robert Macfarlane & Rachael Allen
‘When you're dealing with a geological context, its age exceeds your knowing, exceeds your comprehension. Deep time is dizzying and vertiginous.’
Essays & Memoir|The Online Edition
Notes from Uzbekistan
Chinelo Okparanta
‘The cultural presentations of the students – that juxtaposition of old and new world, of tradition and modernity.’
In Conversation|The Online Edition
Charles Simic | Interview
Charles Simic & Rachael Allen
Charles Simic is one of today's most prolific poets. He speaks with poetry editor Rachael Allen about poetic movements, simple dishes and tragicomedy.
Essays & Memoir|The Online Edition
Wudang Mountain
Catherine Chung
‘The danger with chasing fantasies is that the reality is often so different than the imagination.’
Fiction|The Online Edition
There’s a Small Hotel
Andrew Holleran
‘Returning to Manhattan was like seeing someone who’d once been your lover but was now with someone else.’
Essays & Memoir|The Online Edition
The Two Gardens
Lorna Gibb
‘There are two gardens in my memory. The first was hidden behind the rows of shabby council houses where I grew up.’
Essays & Memoir|The Online Edition
Ross Raisin | On Tour
Ross Raisin
‘I was up at 5.30 this morning, to screaming, and it’s afternoon now and I’m covered in hummus and struggling to muster the energy to remove it from myself.’
Essays & Memoir|The Online Edition
Dutch Harbor Nights
Jim Ruland
‘When one of the fishermen starts belting out ‘All My Rowdy Friends Are Coming Out Tonight’, it feels like a prophecy come to life.’
Poetry|The Online Edition
Two Poems
John Balaban
‘Her mother planted a garden in Manhattan. / In that garden is a tree. Some look on it and feel restored. / Others, when the wind lifts its leaves, want to scream.’
In Conversation|The Online Edition
Shobasakthi | Best Untranslated Writers
V. V. Ganeshananthan
‘Shobasakthi is also known as Anthony X; he is an ex-militant; he is an expatriate.’
Essays & Memoir|The Online Edition
In Cyberspace: a love letter
Joanna Walsh
‘I’m at a cafe table. It doesn’t matter which country. I’ve been travelling for a long time. By train. Nine, ten different countries in thirty days, a couple of nights in each, maybe three at most.’
Essays & Memoir|The Online Edition
War Letters
António Lobo Antunes
‘I’m doing my best to survive all this, but sometimes I feel so homesick that words simply empty of meaning.’
Poetry|The Online Edition
A Cloudless Sky
Michael Dickman
‘A cloudless sky and I’m back / an ice-cold sky-blue rag / for my eyes’
Poetry|The Online Edition
Handkerchief
Ghassan Zaqtan
‘Nothing’s left to say between us / everything went / into the train that hid its whistle.’
In Conversation|The Online Edition
Petar Delchev | Best Untranslated Writers
Miroslav Penkov
‘I’m talking now of Mr Delchev’s bravery; of his books rightly loved by a faithful following of Bulgarian readers; of his words, still untranslated, which one day, I hope, will ring out in many foreign tongues.’
In Conversation|The Online Edition
A. Igoni Barrett | Interview
A. Igoni Barrett & Ted Hodgkinson
‘Fixing the rhythm of one sentence in the novel I’m working on is more vital for me than any considerations of where I’m coming from or where my work is headed.’
Essays & Memoir|The Online Edition
How to be Gay and Indian
Manil Suri
‘This was supposed to be my great in-your-face coming-out campaign, which I’d fretted over for months beforehand. Had India suddenly lost its conservativeness, turned enlightened, even hip?’
Essays & Memoir|The Online Edition
Inner City
Lauren Beukes
‘It has taken this to make me realize that de-humanizing is not only something that other people do to you. It can be self-inflicted too.’
In Conversation|The Online Edition
Granta Sweden | Interview
Johanna Haegerström & Saskia Vogel
‘If there are any tensions between Swedish writers it has more to do with style: writers who incline towards a more classical, epic storytelling versus writers who engage in more experimental uses of language.’
In Conversation|The Online Edition
Kettly Mars | Best Untranslated Writers
Edwidge Danticat
‘Ms Mars is a singularly gifted writer, who with each new work delves more profoundly into themes that are both timely and essential.’
In Conversation|The Online Edition
Rebecca Solnit | Podcast
Rebecca Solnit & Yuka Igarashi
Rebecca Solnit discusses interweaving personal narratives with the lives of Mary Shelley and Che Guevara, paradoxes and Beyoncé.
In Conversation|The Online Edition
A.M. Homes | Podcast
A.M. Homes & Yuka Igarashi
Yuka Igarashi talks to A.M. Homes, recipient of the 2013 Women’s Prize for Fiction for the novel May We Be Forgiven.
In Conversation|The Online Edition
A.M. Homes | Interview
A.M. Homes & Yuka Igarashi
‘I don’t want to make suffering a positive (or negative); I very much want to acknowledge it without judgment.’
In Conversation|The Online Edition
Zoë Meager | Interview
Zoë Meager
‘I haven’t written much local stuff, because I guess I’ve been more interested in the meeting of (potential) worlds.’
Fiction|The Online Edition
Things with faces
Zoë Meager
‘This is all you remember. The sound of her pacing the house at night.’
In Conversation|The Online Edition
Michael Mendis | Interview
Michael Mendis
‘Mostly, writing is part of my process of understanding the world.’
Fiction|The Online Edition
The Sarong-Man in the Old House, and an Incubus for a Rainy Night
Michael Mendis
‘I say his fingers are dying because he is old. Because he is and alone. On that sloping armchair. But more because there is no turning back for him.’
In Conversation|The Online Edition
Julian Jackson | Interview
Julian Jackson
‘I don’t have a short answer to where I am from – but perhaps that lack of ‘place’ influences my writing voice.’
Fiction|The Online Edition
The New Customers
Julian Jackson
‘All the time I could sense the watchful eyes and listening ears at the end of the bar.’
Fiction|The Online Edition
The Whale House
Sharon Millar
‘By morning the dreams are gone, flying through the tiny holes in the net in sudden starling movements.’
In Conversation|The Online Edition
Sharon Millar | Interview
Sharon Millar
‘Writing allows me to go below the surface and pull up the things that can’t be articulated in any other form.’
In Conversation|The Online Edition
Eliza Robertson | Interview
Eliza Robertson
‘I suppose if something moves me to write, I don't question it.’
Fiction|The Online Edition
We Walked on Water
Eliza Robertson
‘Land of the misty giants: cedar, alder, Ponderosa pine. Cascade Mountains pushing out green like grass through a garlic press.’
In Conversation|The Online Edition
Granta Portugal | Interview
Carlos Vaz Marques & Ted Hodgkinson
‘We’ve kept the issue a secret because our goal was to offer a genuine feeling of discovery to Granta Portugal’s subscribers.’
In Conversation|The Online Edition
Chloe Aridjis | Interview
Chloe Aridjis & Ted Hodgkinson
‘What really struck me was the way the Suffragettes were pathologized, and the way women who took a political stance were deemed ‘hysterical’ in some way.’
In Conversation|The Online Edition
International Prize for Arabic Fiction | Podcast
Saud Alsanousi & Ellah Alfrey
On Tuesday 23 April, in Abu Dhabi, Saud Alsanousi was announced winner of the International Prize for Arabic Fiction.
Essays & Memoir|The Online Edition
Leagues Away
Benjamin Markovits
‘A year passed before I could pick up a ball again with pleasure.’
In Conversation|The Online Edition
Turkish Granta | Interview
Berrak Gocer & Ted Hodgkinson
‘The writings, when they came together, made it very clear that there will always be a new approach to the issue of identity.’
Essays & Memoir|The Online Edition
In the Shadow of John Ascuaga’s Nugget
Claire Vaye Watkins
‘It would be falsely modest to claim that I appreciate the hot dog on any level beneath that of connoisseur.’