‘I think in the beginning it was a crisis. I started to write because I felt the need to fit in, and not be an outsider… I have felt bound to an outsideness and an otherness.’
Image by Kristianstads kommun
Lina Wolff on Dante, the artistic temperament and the tension she feels between a ‘Spanishness’ and ‘Swedishness’ when writing.
‘I think in the beginning it was a crisis. I started to write because I felt the need to fit in, and not be an outsider… I have felt bound to an outsideness and an otherness.’
Image by Kristianstads kommun
‘The issue was the first of its kind. Trust me, it said. I know what I am talking about. These young writers are the future of literature. Watch. History will prove me right.’ – Bill Buford, Granta editor (1979-95)
‘Cover your nose and mouth, the order came, swift and useless; if they’d had their turbans they would have wound them around their faces but there were only the balaclavas.’
Fiction by Kamila Shamsie from the 2013 Best of Young British Novelists issue.
‘She felt exhausted, emptied out; she thought of the day that had passed – it was astonishing to her, that a single set of hours could contain so many separate states of violent feeling.’
Fiction by Sarah Waters from the 2003 Best of Young British Novelists issue.
‘This is the one thing I know from the minute I lift the receiver and slip that voice inside my ear: it will happen.’
Fiction by A.L. Kennedy from the 1993 Best of Young British Novelists issue.
‘As it was, my grandfather began helping me to paint without my having to ask him.’
Fiction by Kazuo Ishiguro from the 1983 Best of Young British Novelists issue.
Lina Wolff’s debut novel, Bret Easton Ellis and the Other Dogs, published by And Other Stories in 2016, was awarded the Oxford-Weidenfeld Translation Prize, Sweden’s Vi Magazine Literature Prize, and was shortlisted for the 2013 Swedish Radio Award for Best Novel of the Year. Her second novel, The Polyglot Lovers, won Sweden’s biggest domestic literary prize, the August Prize, as well as the Svenska Dagbladet Prize, and has been translated into eighteen languages. A collection of short stories is forthcoming from And Other Stories in 2020.
More about the author →Saskia Vogel is a writer and translator from Los Angeles, now living in Berlin. Her debut novel Permission was published in five languages. The Swedish edition was translated by Johanne Lykke Holm. Vogel has translated over twenty fiction, poetry, and non-fiction titles from Swedish into English, including works by Linnea Axelsson, Johanne Lykke Holm, Balsam Karam, Karolina Ramqvist, Steve Sem-Sandberg, Lina Wolff and Jessica Schiefauer, whose Girls Lost was a finalist for the PEN Translation Prize. Her translation of Johannes Anyuru’s They Will Drown in Their Mothers’ Tears won the Firecracker Award for fiction. Vogel’s writing has been awarded the Berlin Senate Endowment for Non-German Literature and longlisted for the Believer Book Award and the Pushcart Prize. She was Princeton University’s Fall 2022 Translator in Residence. You can read her work in the New Yorker, LitHub, the New York Times, the White Review, the Offing, Elsewhere and elsewhere. Photograph © Fette Sans
More about the author →‘When we were sixteen years old, I broke Johnny’s nose with the back of my hand.’
‘No one here is normal except you, and you’re not even from Spain.’
‘Oline Stig doesn’t blindly obey the narrow logic of the dramatic curve, and she lets the story branch where it is necessary. The end is surprising and, so to say, out of tune in a liberating way.’
‘I wanted to learn everything there was to know about the singer and his words.’
Dee Peyok on craft and the Cambodian musician: Sinn Sisamouth.
‘Grief has a warring logic; it always wants something impossible, something worse and something better.’
An extract from Biography of X by Catherine Lacey.
‘The only recurring emotion I remember experiencing was a kind of manic delight at procrastinating.’
The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us.