Nathan Englander | Interview
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In Conversation
Morgan Parker & Rachel Long
‘Everyone should be thinking about how they do their thing specifically, how they can use their influences combined with their own language, music and experience.’
City of Pigs
David Hayden
‘I have heard there is a city of pigs thirty miles from our city. I imagine it is only a farm. I cannot imagine a city of pigs.’
New fiction by David Hayden.
Mama’s Last Hug
Frans de Waal
‘Watching behaviour comes naturally to me, so much so that I may be overdoing it.’
Line A—B
Mark Blacklock
‘Never was a man so deep in thought.’
An extract from Mark Blacklock’s new novel.
The Medical Detective
Sandra Hempel
An extract from Sandra Hempel’s The Medical Detective, which follows the story of the man who identified – and helped stop – the cholera pandemic of the 1830s.
Lost Children Archive
Valeria Luiselli
An extract from Lost Children Archive by Valeria Luiselli, nominated for the Rathbones Folio Prize.
From the Spanish Flu to Covid-19
Reina James
Reina James compares our response to Covid-19 to the reaction to the Spanish Flu in 1918.
Interview
Teju Cole
‘What is this elsewhere that one is longing to be in? Part of the answer to this question, for me, is Switzerland.’
The Knowledge
Barclay Bram
Barclay Bram on the infamous London black cab exam, and how communal knowledge is changing.
Solo
Ingrid Persaud
‘I wanted her to see me as a real man, with a little swagger, cool as this fall evening.’
An excerpt from Ingrid Persaud’s Love After Love.
An Evening of Martyrdom
Golnoosh Nour
New fiction from Golnoosh Nour’s debut collection about the lives of young, queer Iranians.
The Beach
Laura Cumming
An excerpt from On Chapel Sands, which has recently been shortlisted for the Rathbones Folio Prize 2020.
Vertigo & Ghost
Fiona Benson
Two poems by Fiona Benson, whose Vertigo & Ghost is shortlisted for the Rathbones Folio Prize 2020.
Red Sands
Caroline Crampton
‘They appear against the horizon as the boat slowly sweeps closer into the estuary.’
Caleb Klaces | Notes on Craft
Caleb Klaces
Caleb Klaces on being inspired by Van Gogh’s third image, found during the X-ray scanning of one of Van Gogh’s early, repainted canvases.
The Orphans
Don Mee Choi
‘One starless night, I was stranded. Needless to say, foreigners are often stranded.’
A Source
Frances Leviston
‘The next editor of the university newspaper was chosen each year by a panel.’
A new short story by Frances Leviston, from her forthcoming collection The Voice in My Ear.
The Great Homecoming
Anna Kim
Read an excerpt from The Great Homecoming by Anna Kim, a novel of love and loss in the wake of the Korean war.
In Conversation
Fernanda Melchor & Sophie Hughes
‘It’s easy to forget the power of words in an era ruled by profuse, beautiful and entrancing images.’
I, Minotaur
Natalie Diaz
‘There is no such thing as time or June, / only what you’re born into’
A new poem by Natalie Diaz.
Two Poems
Jenny Xie
‘Colors unstudied where human activity hasn’t yet / congealed’
Two new poems by Jenny Xie.
Sing Stone, Speak Fire
Dan Bradley
‘The emergency cords have been removed from the carriages for some time.’
A new story by Dan Bradley.
Jem Calder | Notes on Craft
Jem Calder
‘I wrote in the address bar of my web browser, in spreadsheet cells, in emails I addressed to myself.’ Jem Calder on writing fiction at his day job.
Enoki
Aoko Matsuda
‘Without any forewarning or explanation, people suddenly began visiting. They came in droves to find her.’
A story by Aoko Matsuda, translated by Polly Barton.
Introduction
Sigrid Rausing
‘We take our theme from Pwaangulongii Dauod’s remarkable eulogy to the late Kenyan writer Binyavanga Wainaina.’
Editor Sigrid Rausing introduces Granta’s 150th issue.
The Lost Performance of the High Priestess of the Temple of Horror
Carmen Maria Machado
‘The light pouring from the open door throbbed like a bruised thumb.’
New fiction from Carmen Maria Machado.
