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Five Things Right Now: Jenny Offill
Jenny Offill
Jenny Offill, author of Dept. of Speculation, shares five things she’s reading, watching and thinking about.
Ruth Ozeki | Podcast
Ruth Ozeki & Yuka Igarashi
‘And I never was quite sure who I was or who I was supposed to be.’
Granta Finland | Interview
Aleksi Pöyry & Francisco Vilhena
‘What is often particular to Finnish Weird is that it portrays a realistic, palpable setting which gradually starts to acquire elements of fantasy.’
Brigitte Grignet | Interview
Brigitte Grignet & Daniela Silva
‘Places sitting at the edges of the world are often destroyed in the name of so-called development.’
Mark Gevisser and Jonny Steinberg | Podcast
Mark Gevisser & Jonny Steinberg
Mark Gevisser and Jonny Steinberg discuss recent South African history, their personal relationship to Johannesburg, and their personal relationship to a divided city.
Lauren Holmes | Interview
Lauren Holmes & Louise Scothern
‘Even if you move to the other side of the world, and even if you don’t speak for years or decades, your family is always going to be a part of you.’
Five Things Right Now: Katherine Faw Morris
Katherine Faw Morris
Evie Wyld shares five things she’s reading, watching and thinking about.
Katherine Faw Morris | Interview
Katherine Faw Morris & Yuka Igarashi
‘I wanted her to be a pit bull.’
Norman Rush and Colin McAdam in Conversation
Colin McAdam & Norman Rush
‘Who should write memoirs? I have the not-entirely-serious and absurdly restrictive idea that only morally extraordinary people could write them honestly without much shame’
Interview
Fiona Benson & Rachael Allen
‘I’ve always wanted to write from the gut, to write instinctively rather than cerebrally.’
David Gates and Bernard Cooper In Conversation
David Gates & Bernard Cooper
David Gates and Bernard Cooper talk about their contributions to Granta 126: do you remember, untricky writing and purgatory mates.
Catherine Lacey | Interview
Catherine Lacey & Louise Scothern
‘It's uncomfortable, at times, to be alive, so I see no reason why a voice in fiction shouldn't be also.’
