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← Back to all issuesGranta 126: do you remember
Winter 2014
We are what we remember, and even when we invent, we write what we remember. Every line is a fragment of something else; that is the great collective project that we call culture. In this issue of Granta, writers remember, or invent, scenes from their own lives and the lives of others.
From this Issue
Art & Photography|Granta 126
Art & Photography|Granta 126
Paradise Lost
Yuri Kozyrev & Nathan Thornburgh
‘‘Abkhaz democracy reminds me a lot of America,’ an Abkhaz journalist tells me over coffee. ‘It’s a democracy of heavily armed people.’’
Fiction|Granta 126
Fiction|Granta 126
The Indian Uprising
Ann Beattie
‘Then winter ended and spring came, and I thought, even if I don’t believe there’s a poem in anything any more, maybe I’ll write a story.’
Essays & Memoir|Granta 126
Essays & Memoir|Granta 126
The Defeated
Jonny Steinberg
‘Peter Mitchell died on a frontier, not so much between black and white, or between the landed and the landless, as between the past and the future.’
Essays & Memoir|Granta 126
Essays & Memoir|Granta 126
The Magic Box
Olivia Laing
‘It never gets dark in Times Square. Sometimes I’d wake at two or three or four and watch waves of neon pass through my room.’ An essay on David Wojnarowicz's work, life and archives.
Fiction|Granta 126
Fiction|Granta 126
Thank You for Having Me
Lorrie Moore
‘Every day there was something new to mourn and something old to celebrate.’
Poetry|Granta 126
Poetry|Granta 126
The Common Cold
Laura Kasischke
‘But here we are again, you and I, the / two of us, tangled / up and biological.’
Essays & Memoir|Granta 126
Essays & Memoir|Granta 126
Please Tim Tickle Lana
Colin McAdam
‘I no longer see human beings as I used to.’
Essays & Memoir|Granta 126
Essays & Memoir|Granta 126
Nudity
Norman Rush
‘I nursed a precocious rage at the stratagems society was employing to keep me from seeing naked women.’
Poetry|Granta 126
Poetry|Granta 126
Cooley High: 1991
Aracelis Girmay
‘Please stay with me as I / replay the last touch.’
Fiction|Granta 126
Fiction|Granta 126
Dangerous
Joy Williams
‘Grief knows how to love them because we don’t know how to do it any more.’
Art & Photography|Granta 126
Art & Photography|Granta 126
The Emily Dickinson Series
Janet Malcolm
The Emily Dickinson Series is a collection of collages by Janet Malcolm that appear in Granta 126: do you remember.
Essays & Memoir|Granta 126
Essays & Memoir|Granta 126
American Vogue
Edmund White
‘Mumbling is proof of artistic verisimilitude.’
Poetry|Granta 126
Poetry|Granta 126
Toboggan Run
Fiona Benson
‘What would I give / to be one of those swimmers in all this snow, / swallowed by the cold and the night’s strange radiance?’
Essays & Memoir|Granta 126
Essays & Memoir|Granta 126
My Avant-Garde Education
Bernard Cooper
‘My response to art was quick, metabolic and revelatory, while my response to sex was a muddle of delayed reactions and missed libidinal signals.’
Art & Photography|Granta 126
Art & Photography|Granta 126
The Damned and the Beautiful: Patagonia Without Dams
Brigitte Grignet
‘There is no land like ours.’
Fiction|Granta 126
Fiction|Granta 126
A Killing
Katherine Faw Morris
COKE SMELLS COLD AND CHEMICAL LIKE THE INSIDE OF A REFRIGERATOR. It’s what back then smells like, now when she thinks of it.
Fiction|Granta 126
Fiction|Granta 126
Off the Road
Andrew Brown
‘She acted as if her own desires magnetized the world, and when you were close to her, she magnetized your moral compass too.’
Fiction|Granta 126
Fiction|Granta 126
Spelling Problem
Lydia Davis
‘A woman from Barnard College calls me and asks if I would please spell ‘hemorrhaging’ for her.’
Essays & Memoir|Granta 126
Essays & Memoir|Granta 126
A Hand Reached Down to Guide Me
David Gates
‘It took longer and longer for the next one to come, and then there wasn’t a next one.’
The Online Edition
Essays & Memoir|The Online Edition
Ventimiglia
Joanna Walsh
‘Love is constant revolution, pure disruption, it can never be stilled.’
In Conversation|The Online Edition
Granta Finland | Interview
Aleksi Pöyry & Francisco Vilhena
‘What is often particular to Finnish Weird is that it portrays a realistic, palpable setting which gradually starts to acquire elements of fantasy.’
Fiction|The Online Edition
In the Light of What We Know
Zia Haider Rahman
‘My wife and I were both the children of Pakistanis, immigrants, Muslims, and we had faith that our union was of things greater than ourselves.’
In Conversation|The Online Edition
Brigitte Grignet | Interview
Brigitte Grignet & Daniela Silva
‘Places sitting at the edges of the world are often destroyed in the name of so-called development.’
Fiction|The Online Edition
Eyes That Have Seen the Sea
Tomás González
‘He had just finished unpacking his rucksack, new only ten days ago and now a sodden, salty, decomposing rag, when they called him.’
In Conversation|The Online Edition
Mark Gevisser and Jonny Steinberg | Podcast
Mark Gevisser & Jonny Steinberg
Mark Gevisser and Jonny Steinberg discuss recent South African history, their personal relationship to Johannesburg, and their personal relationship to a divided city.
In Conversation|The Online Edition
Lauren Holmes | Interview
Lauren Holmes & Louise Scothern
‘Even if you move to the other side of the world, and even if you don’t speak for years or decades, your family is always going to be a part of you.’
Fiction|The Online Edition
How Am I Supposed to Talk to You | New Voices
Lauren Holmes
‘Okay don’t sell yourself,’ said my mom, ‘sell the American dream.’
Fiction|The Online Edition
Sand
John Biguenet
‘The catastrophe had not happened to all of us, we began to understand, but to each of us.’
Essays & Memoir|The Online Edition
Aracelis Girmay | First Sentence
Aracelis Girmay
‘For me, it happens most with early 90s R&B.’
In Conversation|The Online Edition
Katherine Faw Morris | Interview
Katherine Faw Morris & Yuka Igarashi
‘I wanted her to be a pit bull.’
In Conversation|The Online Edition
Norman Rush and Colin McAdam in Conversation
Colin McAdam & Norman Rush
‘Who should write memoirs? I have the not-entirely-serious and absurdly restrictive idea that only morally extraordinary people could write them honestly without much shame’
In Conversation|The Online Edition
Interview
Fiona Benson & Rachael Allen
‘I’ve always wanted to write from the gut, to write instinctively rather than cerebrally.’
Poetry|The Online Edition
Demeter
Fiona Benson
‘I head down the path hoping she’ll come / but when I look back she’s gone and my own voice / snags at her name like barbed wire on skin.’
Fiction|The Online Edition
Kinder Than Solitude
Yiyun Li
‘Being let down was Celia’s fate; life never failed to bestow upon her pain and disappointment she had to suffer on everyone’s behalf, so that the world could go on being a good place, free from real calamities.’
Poetry|The Online Edition
Picnic
Emily Berry
‘Watching the sea is like watching something in pieces continually striving to be whole / Imagine trying to pick up a piece of the sea and show it to a person / I tried to do that.’
Poetry|The Online Edition
Pyjamas
Rodney Koeneke
‘Lover, does it matter / how the river spends its glitter’
Essays & Memoir|The Online Edition
Teenage Wastelands
Jim Ruland
‘It took me seven years of marriage to figure out that my wife is a hardcore Pearl Jam fan.’
In Conversation|The Online Edition
David Gates and Bernard Cooper In Conversation
David Gates & Bernard Cooper
David Gates and Bernard Cooper talk about their contributions to Granta 126: do you remember, untricky writing and purgatory mates.
Poetry|The Online Edition
The More We Think About It
Michael Earl Craig
‘Yeah, something has slapped us. / We have definitely seen something.’
Essays & Memoir|The Online Edition
Ann Beattie | First Sentence
Ann Beattie
‘Several times I’ve wanted to title something one thing, but have realized or been persuaded it isn’t a good idea.’
Fiction|The Online Edition
My Mother’s Death Party
Ben Janse
‘When I was eleven I fell out of a tree. This is why I can see into the future.’
Essays & Memoir|The Online Edition
Laura Kasischke | First Sentence
Laura Kasischke
‘There really was a moth I found in a toolbox (not as musical or interesting as ‘strongbox’), alive, in the attic, in that box.’
In Conversation|The Online Edition
Catherine Lacey | Interview
Catherine Lacey & Louise Scothern
‘It's uncomfortable, at times, to be alive, so I see no reason why a voice in fiction shouldn't be also.’
Fiction|The Online Edition
Small Differences
Catherine Lacey
‘Everyone should just sit very still until they reach the calmer waters of later-young-adulthood, that promised land of lowered expectations.’
Essays & Memoir|The Online Edition
Foreigners
Daniel Gascón
‘It would’ve been a magical moment if my neighbours hadn’t started fucking at that very second.’
Fiction|The Online Edition
After Ida
Elise Winn
‘The year I turned seventeen, the cicada chorus was deafening, as if they were impatient for the real beginning of summer and didn’t realize they were it.’
Essays & Memoir|The Online Edition
The Case of the Missing Miss Vincent
Kevin Brockmeier
‘There is a sound to finishing a story like the first note of the 3.30 bell. Inside him a great crowd goes pouring into the daylight.’
Poetry|The Online Edition
The first resurrection
Laura Kasischke
‘The moth locked up all / winter in the strongbox.’
Fiction|The Online Edition
Car Concentrate
Etgar Keret
‘Women mostly touch it tentatively with the backs of their hands.’