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← Back to all issuesGranta 125: After the War
Autumn 2013
How long is the shadow of a battle, an explosion, a revolution? What stories arise in the wake of devastation? This issue explores the complicated aftermath and legacy of conflict. Lindsey Hilsum returns to Rwanda two decades after witnessing the beginning of genocide. Patrick French writes of a great-uncle whose heroism in World War I left behind a ‘saturating cult of remembrance’. From air-raid drills in Paul Auster’s America to a calf with a broken foot in Herta Müller’s Rumania, this is how we live after the war.
From this Issue
Fiction|Granta 125
Fiction|Granta 125
Always the Same Snow and Always the Same Uncle
Herta Müller
‘Who knows: what I write I must eat, what I don’t write – eats me.’
Essays & Memoir|Granta 125
Essays & Memoir|Granta 125
The Rainy Season
Lindsey Hilsum
‘In Rwanda today so much is unspoken or only whispered.’
Essays & Memoir|Granta 125
Essays & Memoir|Granta 125
Mess
Romesh Gunesekera
‘You have to go on the offensive until you smell victory. Then you have the aphrodisiac and can go full tilt.’
Poetry|Granta 125
Fiction|Granta 125
Fiction|Granta 125
Crow Fair
Thomas McGuane
‘You’re in a different world when your own mother doesn’t recognize you, or thinks you’re the stranger who gave her a hickey.’
Fiction|Granta 125
Poetry|Granta 125
Poetry|Granta 125
Opening Invocation
Jean-Paul de Dadelsen
‘Or otherwise, leaving the shore of the intermediate sea, / has it been a while since they’ve gone ahead / into the interior of lands of the spirit?’
Art & Photography|Granta 125
Art & Photography|Granta 125
Zone of Absolute Discomfort
Justin Jin
‘The icy hinterland is wretched to live in, but just hospitable enough to allow for the extraction of billions of tons of resources trapped beneath the ground.’
Essays & Memoir|Granta 125
Essays & Memoir|Granta 125
1979
Aminatta Forna
‘What happened in 1979 has happened many times before and many times since, in places where people have set themselves free and believed with all their hearts that the freedom they had fought for was real and lasting, only to be recaptured.’
Art & Photography|Granta 125
Art & Photography|Granta 125
A Sparrow Fallen
Dave Heath
‘a sparrow fallen; / blackness of pain shimmering / hard in soft white light’
Fiction|Granta 125
Fiction|Granta 125
From Dream to Dream
Yiyun Li
‘At what point had one’s life stopped belonging to one?’
Essays & Memoir|Granta 125
Essays & Memoir|Granta 125
Stalkers
Hari Kunzru
‘Writer: How do we get back? Stalker: Here, nobody returns.’
Poetry|Granta 125
Poetry|Granta 125
Revelations
Ange Mlinko
‘I think of this when raising my eyes / to a filigreed cross in a sanctuary‘’
Fiction|Granta 125
Fiction|Granta 125
After the War
Patrick French
‘My antipathy to military culture started early and it wasn't helped by living in a garrison town.’
Essays & Memoir|Granta 125
Essays & Memoir|Granta 125
You Remember the Planes
Paul Auster
‘You can’t remember the precise moment when you understood that you were a Jew.’
An essay by Paul Auster.
The Online Edition
Fiction|The Online Edition
Persist
Zaina Arafat
‘I grew obsessed with the place, thinking that getting to see it, to experience it, would make the pain of that fall go away.’
Fiction|The Online Edition
The Glitch
Rafael Frumkin
‘Them and not me, thought EJP. I can be invisible. I’m glitching.’
Essays & Memoir|The Online Edition
The Crack in the Door
Maria Chaudhuri
‘When my mother practises music, the world is her enemy.’
Essays & Memoir|The Online Edition
Dogfight Over Karachi
Khademul Islam
‘I slowly went down the stairs, feeling my being unspooling.’
Poetry|The Online Edition
The Mountain
Christopher DeWeese
‘When the oxygen thins, / the world gets less reciprocal.’
Fiction|The Online Edition
The Diplomat’s Daughter
Chanelle Benz
‘Natalia used to be a wife. His name was Erik. His name was Viggo. His name was Christien. His name was Lucas. His name was Nils.’
Essays & Memoir|The Online Edition
The Second Night is Ending
Mikail Eldin
‘This winter and this forest will leave you with a shiver in your heart, which will appear whenever you see a winter forest, even in pictures.’
Poetry|The Online Edition
Observations on the Ground
Mary Ruefle
‘Those flowers belong to the dead.’
In Conversation|The Online Edition
Justin Jin | Interview
Justin Jin & Francisco Vilhena
‘This disaster has been going on for decades. I want to protest against this as loudly as I can through photography.’
Fiction|The Online Edition
This Is Not A Test
Stuart Evers
‘In the end, because he loved her still, still so very much, he let her win.’
Essays & Memoir|The Online Edition
Ninth and Race
Dan Burt
‘Prostitution, gambling, fencing, contract murder, loan-sharking, political corruption and crime of every sort were the daily trade in Philadelphia’s Tenderloin, the oldest part of town.’
Fiction|The Online Edition
How We Got Mother Back
Valério Romão
‘With the passing of time we got used to hearing our brother being our mother.’
Fiction|The Online Edition
Sea Bean
Tim Fitts
‘Fred was the type whose worldview gazed through a shadow of things that could go wrong, like most of the South Philly lifers.’
Essays & Memoir|The Online Edition
Patrick French | First Sentence
Patrick French
‘In Edwardian days, if you were growing up in England (though Maurice was from Ireland) your life was regimented.’
Essays & Memoir|The Online Edition
This July
Wiam El-Tamami
‘It felt as though time would fall off a cliff on Sunday. We jokingly called it The End of the World.’
Fiction|The Online Edition
What It’s Like
Anya Yurchyshyn
‘I’d been telling myself I would get there and get through it. I’d been telling myself I was doing the right thing, that no one could escape doing this thing and that was why the thing was right, not wrong.’
Essays & Memoir|The Online Edition
A.L. Kennedy | First Sentence
A.L. Kennedy
‘I have never seen anyone eat figs in the street and feel I am unsurprised.’
Essays & Memoir|The Online Edition
After Silk Road
Mike Power
‘The Dark Web is a shadow internet, an unindexed, unseen and lawless corner of cyberspace.’
Essays & Memoir|The Online Edition
Yiyun Li | First Sentence
Yiyun Li
‘But for her, and perhaps for many, the solidity of an invented life is not trustworthy.’
In Conversation|The Online Edition
Lindsey Hilsum | Podcast
Lindsey Hilsum & Rachael Allen
Lindsey Hilsum on Libya, her time in Rwanda and how countries can repair in the aftermath of war.
Essays & Memoir|The Online Edition
Selvy After the War
Frances Harrison
‘She exudes happiness. Somewhere along the line she understood that this was the best way to defeat the men who tortured her.’
Essays & Memoir|The Online Edition
Ange Mlinko | First Sentence
Ange Mlinko
‘I rediscovered the efficacy of meter (or the ‘contrast between fixity and flux’) when I was stuck in a shark tunnel with my kids and was afraid I was coming down with a panic attack.’
Essays & Memoir|The Online Edition
World War II Has Never Ended
Michael W. Clune
‘I discovered Hitler the summer I turned twelve. I found him in the centre of a map in a computer game called Beyond Castle Wolfenstein. I destroyed him with a bomb.’
In Conversation|The Online Edition
Romesh Gunesekera | Interview
Romesh Gunesekera & Ka Bradley
‘The past has never been as present as it is now in the world. But at the same time, all over the world, the determination to manipulate what we know has also never been stronger.’
Essays & Memoir|The Online Edition
A Dynasty of Album Cover Art
Lemi Ghariokwu
‘The music is as powerful as it gets and beneath his knife-edge, cutting sarcasm, Fela’s voice rages.’
Essays & Memoir|The Online Edition
A Brief History of a Musical Failure
Catherine Tice
‘At the end of the piece, there was silence, followed by a sudden thunder of feet and bows on the stands. A thrilling noise.’
Fiction|The Online Edition
Success
Adriana Lisboa
‘They hadn’t tried them yet but the girls both knew, from the adverts, that Hollywood cigarettes were awesome.’
In Conversation|The Online Edition
Helen Mort | Interview
Helen Mort & Rachael Allen
‘I think there’s something seductive and liberating about the way you can create shadowy characters in a poem.’
In Conversation|The Online Edition
Ellen Bryant Voigt | Interview
Ellen Bryant Voigt & Rachael Allen
‘I don’t think of music and narrative as being mutually exclusive – some of my poems ARE narrative, and are as ‘sound-driven’ as the lyrics.’
In Conversation|The Online Edition
Eleanor Catton | Podcast
Eleanor Catton & Anne Meadows
Anne Meadows talks to Eleanor Catton about opium and gold, whether a good author can also be a sadist and what it means to be a New Zealand writer today.
Poetry|The Online Edition
Two Poems
Joe Wenderoth
‘At first you treat him as a nobility – / a miraculous figure(head) / with no real office. / Then he dies.’