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Explore Essays and memoir

Breast or Tooth?

Tishani Doshi

‘A breast just casually hanging around, being a functional exocrine gland, enjoying the sun? Impossible.’

Tishani Doshi on women’s rights in India.

On ‘Colville’

Natalie Diaz

The author of Postcolonial Love Poem on ‘Colville’, the photoessay by Fergus Thomas.

Uwaa: the sound of the feeling that cannot be spoken

Polly Barton

An excerpt from Fifty Sounds, a memoir by Polly Barton, translator of Aoko Matsuda and Kikuko Tsumura.

Mould

Alice Ash

‘There was fur on the window frame, and we drew into it with our fingernails: dark, mushroomy bursts.’

A new essay by Alice Ash.

Lice

A. K. Blakemore

‘I often had head lice as a child. Outbreaks circulated around my primary school on a seasonal basis.’

A new essay from the author of The Manningtree Witches.

On Vulnerability

Katherine Angel

‘Is anyone an authority on themselves, whether on their sexuality or anything else?’

An excerpt from Tomorrow Sex Will Be Good Again.

Notes on Craft

Natascha Bruce

‘The reader doesn’t need to have answers, but they do need to have theories.’

Having and Being Had

Eula Biss

‘What does it say about capitalism that we have money and want to spend it but we can’t find anything worth buying?’

Best Book of 1886: The Masterpiece

Summer Brennan

‘Zola’s characters are, in every sense of the term, art monsters.’

Best Book of 1959: Mrs Bridge

Sindya Bhanoo

‘When the book was published, my own parents were children in India, then a newly independent nation.’

Best Book of 1946: The Years of Anger

Robert Chandler

Robert Chandler on why The Years of Anger by Randall Swingler is the best book of 1946.

On Diane di Prima

Iris Cushing

‘Sex flowed into art, art flowed into livelihood, livelihood flowed into poetry, poetry flowed into friendship, friendship flowed into sex. The entirety of this life was sacred.’

Garden Time: The Palm Forest of W.S. Merwin

Robert Becker

‘This place, where the temperature drops noticeably as you walk into it from the road, survived William Stanley Merwin as equal parts oasis, stage set and work of art.’

The Possibility of an Emperor

Patrick Barkham

‘I had always been told that the purple emperor was rare because old woods were rare.’