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Helen Oyeyemi | Podcast

Ted Hodgkinson & Helen Oyeyemi

Helen Oyeyemi speaks to Ted Hodgkinson about the joys of writing from a male perspective, magic in her work, and how as a girl she wrote alternate endings to the classics.

Adam Thirlwell | Podcast

Adam Thirlwell & Yuka Igarashi

Adam Thirlwell speaks to Granta’s Yuka Igarashi about sex, history, translation, using tempo in novels and how his writing has evolved over the past decade.

Sarah Hall | Podcast

Sarah Hall & Saskia Vogel

Sarah Hall speaks to Saskia Vogel about wolves, tattoos and the wilds of Cumbria.

Andrew O’Hagan | Interview

Andrew O’Hagan & Patrick Ryan

‘A lot of journalism was in danger of becoming ‘celebrity writing’, in the sense that the writer and his conscience could become the story.’

Xiaolu Guo | Podcast

Xiaolu Guo & Ellah Alfrey

Xiaolu Guo speaks to Ellah Alfrey about growing up in rural China, becoming an East Ender and writing in English.

Playing the Odds

David Szalay

‘What, I wonder now, must the texture of my life have been like then, that winning those sort of sums failed to leave even the slightest mark on my memory?’

David Szalay | Podcast

David Szalay & Ted Hodgkinson

David Szalay on how spending time in Hungary makes it easier to write about London, trying to live off betting on horses and how memory informs his work.

Jeffrey Eugenides on Adam Thirlwell

Jeffrey Eugenides

‘The playfulness of the language, the way the mandarin wit, line by line, consorts with grisly or louche material.’

Joanna Kavenna | Podcast

Joanna Kavenna & Ellah Allfrey

Ellah Alfrey talks with Joanna Kavenna about wanderlust, genre-hopping and Nietzsche.

Chloe Aridjis | Interview

Chloe Aridjis & Ted Hodgkinson

‘What really struck me was the way the Suffragettes were pathologized, and the way women who took a political stance were deemed ‘hysterical’ in some way.’

Rooms That Have Had Their Part

Joanna Kavenna

‘Rooms jaundiced by bad lighting, so you wondered, what is ague, and could we have it? Rooms that hummed, a hum you couldn’t quite identify, or that seemed in the end to come from your own head.’

Naomi Alderman | Podcast

Naomi Alderman & Ellah Allfrey

Ellah Allfrey speaks with Naomi Alderman, one of Granta’s Best Young British Novelists.

International Prize for Arabic Fiction | Podcast

Saud Alsanousi & Ellah Alfrey

On Tuesday 23 April, in Abu Dhabi, Saud Alsanousi was announced winner of the International Prize for Arabic Fiction.

Rachel Seiffert on Naomi Alderman

Rachel Seiffert

‘So, to summarise: witty, bold, and delicate too. Oh yes, and supremely able to turn a story.’

Taiye Selasi | My Writing Playlist

Taiye Selasi

Taiye Selasi, one of Granta’s Best Young British Novelists, shares a playlist of songs to write to.

Taiye Selasi | Podcast

Taiye Selasi & Ellah Allfrey

Taiye Selasi talks about her mother’s garden, Rachmaninov and learning to speak Italian.

Zadie Smith on ‘Just Right’

Zadie Smith

‘There should be a special term for abandoned stories, and another for the strange limbo in which their occupants live.’

Granta Best of Young British Novelists 4 Audiobook

Ellah Allfrey

In the first partnership of its kind, Audible and Granta magazine are collaborating on the unabridged audiobook production of Granta 123: Best of Young British Novelists 4.

Evie Wyld | Podcast

Evie Wyld & Ted Hodgkinson

Evie Wyld talks to online editor Ted Hodgkinson about why living in Peckham makes it easier to write about rural Australia, how memory informs her stories and why she can’t write a novel without at least one shark in it.

Leagues Away

Benjamin Markovits

‘A year passed before I could pick up a ball again with pleasure.’

Introduction: Best of Young British Novelists 4

John Freeman

‘We live in unreaderly times, but our belief is that these novelists will be exceptions to the general rule of irrelevance faced by writers today.’

Vipers

Kamila Shamsie

‘Cover your nose and mouth, the order came, swift and useless; if they’d had their turbans they would have wound them around their faces but there were only the balaclavas.’

Glow

Ned Beauman

‘Growing up, you got so used to all your secrets being sad or shameful that you came to assume they were, like alkyl halides, intrinsically neurotoxic, and now he had learned for the first time that they weren’t.’

Anwar Gets Everything

Tahmima Anam

‘Two ways a man can go here, in the direction of God or the direction of believing there is nothing up there but a sun that will kill you whether you pray five times or not.’

Soon and in Our Days

Naomi Alderman

‘It is not often, even in Hendon, that one witnesses a miracle.’

Filsan

Nadifa Mohamed

‘Silence takes the place of all these words and her loneliness remains as dense and close as a shadow.’

Europa

David Szalay

‘What she was like ‘as a person’ he has no idea.’

After the Hedland

Evie Wyld

‘I feel the pull of being alone, of answering to no one, the safety of being unknown and far away.’

Driver

Taiye Selasi

‘I am the full-time driver here. I am not going to kill my employers. I have read that drivers do that now.’

Slow Motion

Adam Thirlwell

‘It really wasn’t normal for me to wake up and not know how I got there. A normal pastime for me was to be intent on mathematical problems, or models of voting patterns in different democratic states.’

The End of Endings

Steven Hall

‘Entropy is what drives time forwards, and only forwards.’

A World Intact

Adam Foulds

‘His life, unexciting as it may have been so far, was still a detailed, complicated thing.’

The Best of Young British Novelists

Nadav Kander

Nadav Kander's stunning portraits of Granta's Best of Young British Novelists 2013.

You Don’t Have To Live Like This

Benjamin Markovits

‘It felt like everything that had happened to me in college, everything I had learned to be comfortable with, had produced this jerk standing naked in the water, splashing his best friend’s girlfriend in the chest.’

Tomorrow

Joanna Kavenna

‘She was living as herself, in herself, without ever thinking about what that meant.’

Just Right

Zadie Smith

‘There’s no romance in that child whatsoever. No clue of the magic of storytelling. I’ll bet you a dollar she wears a girdle already.’