‘She was living as herself, in herself, without ever thinking about what that meant.’
I went the other day to the loft of a friend’s house. It was amusing, how long he’d been storing my stuff. That was because he had a house, a carpeted halogen-lit house, because years ago he’d been virtuous and prudent. Even when the rest of us were busy floundering, doling out beer for rent m…
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‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
‘We all now exist as avatars, on shining tiles in these cubist landscapes’
Joanna Kavenna discusses her all-too-familiar surveillance dystopia, Zed.
‘She was so understanding, so interesting, such an intellectual. She was also a wristwatch, but this hardly mattered.’
‘We are real in an unreal reality, which we’re told is really real and that we’re actually unreal.’
An excerpt from ZED, the forthcoming novel by Joanna Kavenna, a Granta Best of Young British Novelist.
‘They slept curled together in a hammock, little scraps of fur, hearts beating madly.’ Joanna Kavenna on her pet rats, Kat Bjelland and Courtney Love.
‘Maybe the trick is to find your surroundings so engrossing, so diverting, as to be unaware that anyone is missing you. The chances are nobody is’.
