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← Back to all issuesGranta 145: Ghosts
Autumn 2018
This issue of Granta is about time and about ghosts – the ghosts of our past selves, the shadows of past injuries, the ghosts of history, the ghosts in the machine.
André Aciman remembers Rome
Ahmet Altan writes from prison in Turkey
Bernard Cooper on Ambien and sleep-eating
Maggie O’Farrell on living with chronic back pain
Vasily Grossman’s Stalingrad, a companion to his epic Life and Fate
Amos Oz in conversation with Shira Hadad
Inigo Thomas on the fall of Singapore
PLUS
NEW FICTION from Anne Carson, Steven Dunn, Sheila Heti, Eugene Lim, Sandra Newman, Maria Reva and Jess Row
POETRY from Cortney Lamar Charleston and Jana Prikryl
PHOTOGRAPHY from Monika Bulaj, with an introduction by Janine di Giovanni
From this Issue
Essays & Memoir|Granta 145
Essays & Memoir|Granta 145
Introduction
Sigrid Rausing
Editor Sigrid Rausing introduces Granta 145: Ghosts.
Essays & Memoir|Granta 145
Essays & Memoir|Granta 145
In Freud’s Shadow
André Aciman
‘We all have ways of placing markers on our lives.’
In Conversation|Granta 145
In Conversation|Granta 145
A Room of One’s Own
Amos Oz & Shira Hadad
Amos Oz in conversation with Shira Hadad, translated from the Hebrew by Sondra Silverston.
Essays & Memoir|Granta 145
Essays & Memoir|Granta 145
Greedy Sleep
Bernard Cooper
‘I knew I had a problem when I woke up in a Motel 6 in Fresno.’
Fiction|Granta 145
Fiction|Granta 145
Fiction|Granta 145
Yokosuka blue line
Steven Dunn
‘I close my eyes and circle my finger around the map. Wherever my finger lands.’
Fiction|Granta 145
Fiction|Granta 145
Stalingrad
Vasily Grossman
‘On the rampage, he truly did become a devil; it was impossible to restrain him.’ Translated from the Russian by Robert & Elizabeth Chandler.
Art & Photography|Granta 145
Art & Photography|Granta 145
The Hazara
Monika Bulaj & Janine di Giovanni
‘The people I met once I reached Bamiyan were not victims.’ Janine di Giovanni introduces Monika Bulaj’s photographs.
Essays & Memoir|Granta 145
Essays & Memoir|Granta 145
All Hail the Holy Bone
Maggie O’Farrell
‘It is part angel, part lepidopteran, part Rorschach inkblot.’
Poetry|Granta 145
Poetry|Granta 145
Turn the River
Cortney Lamar Charleston
‘Backtrack / to the bones of the matter, which are the bones themselves.’
Fiction|Granta 145
Fiction|Granta 145
The Heavens
Sandra Newman
‘It was one of those parties where no one knew the hostess.’
Essays & Memoir|Granta 145
Essays & Memoir|Granta 145
The Canvas Bag
Inigo Thomas
‘It was given to her by her Japanese captors after the Fall of Singapore on 15 February 1942 to pack the few possessions she was allowed to take with her to prison.’
Essays & Memoir|Granta 145
Essays & Memoir|Granta 145
I Will Never See the World Again
Ahmet Altan
‘I was in a cage because a man had eaten an apple.’ Translated from the Turkish by Yasemin Çongar.
Fiction|Granta 145
Fiction|Granta 145
No Machine Could Do It
Eugene Lim
‘In the future we have to be as interesting to the AI as our pets are to us.’
Fiction|Granta 145
Fiction|Granta 145
Letter of Apology
Maria Reva
‘One can only argue with an intellectual like Konstantyn Illych if one speaks to him on his level.’
Fiction|Granta 145
Fiction|Granta 145
Radical Sufficiency
Jess Row
‘We have to reverse-engineer our genius so that we can appreciate the simple things.’
Poetry|Granta 145
Poetry|Granta 145
Bob
Jana Prikryl
‘he cut out small talk / not hearing it, convincingly deaf to its nothing’
Fiction|Granta 145
Fiction|Granta 145
Ardor (Aghast)
Anne Carson
‘I taught you what you know, I never taught you what I know.’
The Online Edition
Poetry|The Online Edition
Cotton Variation
Cortney Lamar Charleston
‘fibrous little trauma fruit, wan little wound-licker’
Fiction|The Online Edition
Objects in Mirror
Maxim Osipov
‘He runs through the events of the day in his mind. Fairly frightening, really: the sudden request for his file, the question about the government. And the silence.’
Fiction|The Online Edition
Ten Thousand Feet
Ariana Harwicz
‘I go up and watch the avenue through the window. Noise and more noise. An avenue of insects, stray bullets and snipers sprawled on the rooftops.’
Fiction|The Online Edition
My Biggest Insecurity About the Garden
Caoilinn Hughes
‘Pathos is suffering. But is it suffering to realize a dream, however puny?’ New fiction by Caoilinn Hughes.
Poetry|The Online Edition
Three Poems
Miyó Vestrini
‘It was fake that your hugs were convulsive / and your furies unpredictable.’ Translated by Cassandra Gillig and Anne Boyer.
Essays & Memoir|The Online Edition
When We Returned to Pakistan
Bina Shah
Bina Shah on growing up in Pakistan. ‘Culture shock was what they called it in those days, but to me it felt like a kidnapping.’
Essays & Memoir|The Online Edition
Imperium
Ryszard Kapuściński
Ryszard Kapuściński, once the only foreign correspondent for the Polish Press Agency, on the concept of borders.
Poetry|The Online Edition
Two Poems
Jana Prikryl
‘his balance / between person and / abstraction’s so stirring I want no other token for anything can happen’
Art & Photography|The Online Edition
Nostalgia in Blue
Viviana Peretti & Caroline Brothers
‘To step inside Viviana Peretti’s camera obscura is to witness the very process by which memory is made.’
Fiction|The Online Edition
Bitter Tennis
Lucy Ives
‘I don’t know much about the cosmos, but I know enough to avoid the game of tennis.’
Art & Photography|The Online Edition
Hungerwinter and Liberation
Jan Vegter
Jan Vegter’s remarkable visual and written record of the Nazi occupation of the Netherlands, translated from the Dutch by Theo de Feyter.
Fiction|The Online Edition
Postpartum
Geeta Tewari
‘I put the breast milk in the fridge and lie down on the bed. I pretend I am dead, underneath the earth with a bag of Cheetos.’
Fiction|The Online Edition
If You Start Breathing
Thea Lim
‘Sharing her pain with other people meant that her pain belonged to her less, Joanne belonged to her less.’
Fiction|The Online Edition
Portion of Jam
Mazen Maarouf
‘My father no longer goes to the hospital to work, because you don’t find nurses in wheelchairs working in hospitals.’
Essays & Memoir|The Online Edition
Her Left Hand, The Darkness
Alison Smith
Alison Smith on the week she spent with Ursula K. Le Guin.
Essays & Memoir|The Online Edition
Best Book of 1966: Season of Migration to the North
Ayşegül Savaş
‘Of course, literature cannot be separated from its flesh of language and form. Nor can its tangible subject explain why it moves its reader, through the subtleties of language, or the shadowy geographies that it leaves to the imagination.’
Essays & Memoir|The Online Edition
Best Book of 2011: Kingdom Animalia
Nell Boeschenstein
‘As the title suggests, this is a book about the family of animals, the family of man, and the family of family.’
Essays & Memoir|The Online Edition
Best Book of 1953/1994: Trans-Atlantyk
Jennifer Croft
‘The most Polish novel of the twentieth century was written in Argentina and published in France.’
Essays & Memoir|The Online Edition
Why Should You Be One Too?
Spencer Reece
Spencer Reece on alcoholism, homosexuality, and the poetry of Elizabeth Bishop.
Fiction|The Online Edition
Susan and Miffy
Jane Campbell
‘The lust of an old man is disgusting but the lust of an old woman is worse. Everyone knows that.’
Essays & Memoir|The Online Edition
Kathryn Scanlan | Notes on Craft
Kathryn Scanlan
‘I try to write a sentence as unbudging and fully itself as some object sitting on a shelf in my office.’
Essays & Memoir|The Online Edition
Letter from Zaria
Pwaangulongii Dauod
Memoir by Pwaangulongii Dauod, who writes from Zaria, Nigeria.
Art & Photography|The Online Edition
En Route to The Promised Land
Ken Light
Ken Light revisits the photos he took of immigrants crossing the border between Mexico and the US in the 1980s.
Fiction|The Online Edition
The Panther
Sergio Pitol
‘Haste did not grip the animal. He paced before me languidly, tracing small circles; then, in a single pounce he reached the fireplace.’
Essays & Memoir|The Online Edition
Sobre Cardi B
Rita Indiana
‘Es un himno crudo y catchy escrito por una mujer que ha confesado que escribe sobre lo que le gusta y que lo que le gusta es “fighting bitches”.’
Essays & Memoir|The Online Edition
A New Front Line
Lindsey Hilsum
Lindsey Hilsum shows how investigative reporting has become just as dangerous as frontline correspondence. ‘Investigative reporters are in more peril than ever and the front line has come to Europe.’
Essays & Memoir|The Online Edition
Mr Wu
Pallavi Aiyar
‘A middle-aged woman in teddy bear-spangled pajamas came hurtling down on a flatbed tricycle.’ Pallavi Aiyar returns to her old Beijing hutong.
In Translation|The Online Edition
Fyodor Denisovich Konstantinov
Lev Ozerov
‘A piece of boxwood, gripped in a vise, / waits on the workbench for his knife.’ Poetry by Lev Ozerov, translated from the Russian by Boris Dralyuk, and introduced by Robert Chandler.