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‘Compared to all of you, I’m not the handsomest guy or the smartest, which might’ve caused me all sorts of grief if I was a landlubber. But I spent my life at sea, so I got by.’
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‘I alone know a running stream
that is recovery partly and dim sweat
of a day-fever’
A poem by Rowan Evans.
‘Humour is a thread we hang onto. It punctures through the fog of guilt.’
Momtaza Mehri in conversation with Warsan Shire.
‘Something shifted in me that night. A small voice in my head said, maybe you can make a way for yourself as a poet here, too.’
Mary Jean Chan in conversation with Andrew McMillan.
‘There was to be an exhibition. There were lots of pictures like his, apparently – of waiters, pastry cooks, valets, bellboys.’
An essay by Jason Allen-Paisant from Granta 159: What Do You See?
‘I have started to see that nothing is itself’
A poem by Jason Allen-Paisant from Granta 154: I’ve Been Away for a While.
Shinichi Hoshi was one of Japan’s most accomplished and influential science fiction writers. He wrote 1001 short-short stories in his 26-year career, and received the twenty-first Mystery Writers of Japan Award for his book Moso Ginko (Delusion Bank). A short film based on his story ‘Hana to Himitsu’ (‘Flowers and Secrets’) won an award at the Venezia International Children’s Movie Festival. Hoshi is also the author of many novels, including Koe no Ami (Voice Net) and Buranko no Mukode (The Other Side of the Swing).
More about the author →Eli K.P. William is a Canadian novelist based in Japan. His dystopian trilogy, The Jubilee Cycle, is set in a future Tokyo. The series includes Cash Crash Jubilee (2015), The Naked World (2017), and A Diamond Dream (forthcoming fall 2021). His first full-length novel translation is A Man (2020), also the first novel by Akutagawa Prize winning author, Keiichiro Hirano, to be published in English. To learn more visit his website or follow him on Twitter.
Image © Kuromusi
‘There are times when I think I came to literary translation just so I could keep my many homes close to hand.’
Julia Sanches and Mara Faye Lethem on translating Catalan into English.
‘We were sent to Wakeley Boarding School aged eight for Year Five and stayed on until Year Twenty.’
Fiction by Camilla Grudova.
‘The monstrous years of my late teens lay lined up alongside the rest of my life like bullets in a gun.’
A story by Sophie Mackintosh.
‘I wanted to learn everything there was to know about the singer and his words.’
Dee Peyok on craft and the Cambodian musician: Sinn Sisamouth.
‘I went to Enid’s funeral and there was a mole on the coffin and it seemed / aware of us but unconcerned.’
Two poems by Fee Griffin.
‘We are all creatures of slime, but some of us are more creative than others’.
An excerpt from the BBC Radio 4 Book of the Week, Slime.
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