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← Back to all issuesGranta 133: What Have We Done
Autumn 2015
In this issue, acclaimed nature writer Barry Lopez meditates on language and seeing; Australian writer Rebecca Giggs witnesses the monumental death of a stranded whale; science writer Fred Pearce describes the effort to keep Sellafield safe; poet Kathleen Jamie travels to the Alaskan wilderness; and Adam Nicolson investigates murder in rural Romania, with photographs by Gus Palmer.
Plus: unpublished extracts from the notebooks of Roger Deakin, introduced by Robert MacFarlane.
Fiction by Ben Marcus, Ann Beattie, Deb Olin Unferth and David Szalay. Poetry by Noelle Kocot, Maureen N. McLane, Ange Mlinko and Andrew Motion. Photography by Helge Skodvin, introduced by Audrey Niffenegger.
From this Issue
Essays & Memoir|Granta 133
Essays & Memoir|Granta 133
Introduction: What Have We Done
Sigrid Rausing
‘There is an apocalyptic feeling in the air. I write the day after the news that the IS have blown up parts of the ancient site of Palmyra.’
Essays & Memoir|Granta 133
Essays & Memoir|Granta 133
The Invitation
Barry Lopez
‘The effort to know a place deeply is, ultimately, an expression of the human desire to belong, to fit somewhere.’
Fiction|Granta 133
Fiction|Granta 133
George and Elizabeth
Ben Marcus
‘She could see, or was starting to, that someone out there was seeing him, watching him.’
Essays & Memoir|Granta 133
Essays & Memoir|Granta 133
Whale Fall
Rebecca Giggs
‘The whale as landfill. It was a metaphor, and then it wasn’t.’
Fiction|Granta 133
Fiction|Granta 133
Lady Neptune
Ann Beattie
‘The word money popped up like a bit of the ocean’s detritus riding in on a wave, but her lips formed the words ‘Merry Christmas’.’
Art & Photography|Granta 133
Art & Photography|Granta 133
Nature Morte
Helge Skodvin & Audrey Niffenegger
‘The ghost in the machine is gone for good.’
Essays & Memoir|Granta 133
Essays & Memoir|Granta 133
The Legacy
Fred Pearce
‘It created not just a climate of fear, but also a landscape of secrets.’
Poetry|Granta 133
Essays & Memoir|Granta 133
Essays & Memoir|Granta 133
Upriver
Kathleen Jamie
‘I liked the way she travelled: with her iPod in one pocket, her traditional Yup’ik woman’s knife, or ulu, in the other.’
Poetry|Granta 133
Poetry|Granta 133
Mouse Trails
Noelle Kocot
‘What I am equipped to do is different / Than what I have been called for.’
Art & Photography|Granta 133
Art & Photography|Granta 133
The Hand’s Breadth Murders
Adam Nicolson & Gus Palmer
‘It is what happens in a place where revenge is the only justice.’
Fiction|Granta 133
Fiction|Granta 133
The Middle Ages: Approaching the Question of a Terminal Date
David Szalay
‘What is left? What is he to wrap himself in, now that everything has floated off into space?’
Poetry|Granta 133
Poetry|Granta 133
Come Again/Woods
Maureen N. McLane
‘They party in the woods / as if they were meant for pleasure / not timber.’
Fiction|Granta 133
Fiction|Granta 133
To the Ocean
Deb Olin Unferth
‘At the desk they said they encouraged guests not to walk, but she was determined’
Poetry|Granta 133
Poetry|Granta 133
Hunters in the Snow
Andrew Motion
‘The hunters have all failed, / the three hunters and their forlorn dogs / now arriving home from the mountain / which thunders above their village’
Essays & Memoir|Granta 133
Essays & Memoir|Granta 133
Fragments
Roger Deakin & Robert Macfarlane
‘Entering a wood is to enter an element as different as the sea.’
Art & Photography|Granta 133
Art & Photography|Granta 133
About the Cover
Stanley Donwood
‘I took myself off to the woods, the fragments of the great forests that once spread over our continent.’
The Online Edition
In Conversation|The Online Edition
Maureen N. McLane in Conversation
Maureen N. McLane & Rachael Allen
Granta’s poetry editor Rachael Allen talks to Maureen N. McLane about ecology, lyric authority, and balancing poetry with criticism.
Art & Photography|The Online Edition
The Hand’s Breadth Murders: Out-takes
Gus Palmer
‘You could look all over the world without finding traditions that have lasted as long as the ones here.’
Essays & Memoir|The Online Edition
Fairbourne
Adam Weymouth
‘Climate change, I realise, is already here. Not the drama of it, not yet, but in the mundane.’
Essays & Memoir|The Online Edition
The Secret Afterlife of Boats
Anna Badkhen
‘The sea is broken,’ they say. An empty net at night: a drooping lattice of shiny nothingness, a cold and worthless tinsel mesh.
Essays & Memoir|The Online Edition
Spirit Animals
Darrell Hartman
From The Revenant through Jurassic Park and Godzilla, Darrell Hartman traces the evolving meaning of megafauna in popular culture.
In Conversation|The Online Edition
Matthew Green and Bryan Doerries
Matthew Green & Bryan Doerries
Matthew Green and Bryan Doerries discuss Greek tragedy, post-traumatic stress disorder and the cathartic power of drama.
Fiction|The Online Edition
Dynamics in the Storm
Greg Jackson
‘You only have time to live your own life, and mine was falling apart.’
Five Things Right Now|The Online Edition
Five Things Right Now: Ann Beattie
Ann Beattie
Ann Beattie shares five things she’s reading, watching and thinking about right now.
Fiction|The Online Edition
The Disappearing
Fatima Bhutto
‘I have gone to the forest to lie among the moss and sleep under a canopy of trees. I have gone to the forest to root among the soil and listen to the birds.’
Fiction|The Online Edition
Then
Mark Slouka
‘It was in January, I think. That weekend, more than any other, the thought of her leaving seemed impossible.’
Fiction|The Online Edition
The Fruit of My Woman
Han Kang
‘It was late May when I first saw the bruises on my wife’s body.’
Fiction by Han Kang, translated by Deborah Smith.
Fiction|The Online Edition
Click
Brian Evenson
‘It wasn’t that he didn’t have a name, only that he was having difficulty locating it.’
Poetry|The Online Edition
Two Poems
Noelle Kocot
‘the problematic / Ocean spreads itself out. We take it in stride, / And we do our best.’
Essays & Memoir|The Online Edition
The Tree Farm
Cal Flyn
‘I was going north to find a tree farm, in a land where there are no trees.’
Essays & Memoir|The Online Edition
Love in the Graveyards of Industry
Jeremy Seabrook
‘Love was no longer encoded in recognised behaviours, but became subject to private desires and idiosyncratic needs.’
Essays & Memoir|The Online Edition
Bad Luck, Britain
Fredrik Sjöberg
‘It was a wonderful day of high summer in the Stockholm archipelago.’
Essays & Memoir|The Online Edition
Barnby Dun
Colin Grant
‘Restored nature would be a phantom of its former self. The experience would be akin to visiting a wildlife park.’
Essays & Memoir|The Online Edition
Night Watch
Tim Dee
‘A nightjar is a dusty carpet whose pattern has absorbed into it every tread.’
Five Things Right Now|The Online Edition
Five Things Right Now: Noelle Kocot
Noelle Kocot
‘This is not only poetic, to think of the Creator as a big bird, but also quite mysterious.’
Fiction|The Online Edition
Bezoar
Guadalupe Nettel
‘This was the morning I discovered the anatomy of a hair.’ New fiction by Guadalupe Nettel, translated from the Spanish by Rahul Bery.
Fiction|The Online Edition
Sex Life
Daisy Hildyard
‘The sexual activity was dense and rapid everywhere that he was not.’
Fiction|The Online Edition
Five Parties
Ned Beauman
‘The second year, I noticed before anyone else that the Coelophysis was trying to escape.’
In Conversation|The Online Edition
George Saunders and Ben Marcus In Conversation
George Saunders & Ben Marcus
‘One purpose of art is to get us to wake up, recalibrate our emotional life, get ourselves into proper relation to reality.’