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Notes on Craft
Sara Freeman
Sara Freeman, author of Tides, on writing while seeing the wood for the trees.
Notes on Craft
Alex Hyde
‘The scrubbing of floors or rugs. People down on their knees, “tamping” the stain.’ Alex Hyde on the everyday gestures that make a life.
Best Book of 2019: A Month in Siena
Emmanuel Iduma
‘In art he finds the language with which to exchange mourning for some measure of equanimity.’
Emmanuel Iduma’s best book of 2019.
Double Date
Sasha Fletcher
‘Off in the distance, the landlords laughed and laughed and laughed and laughed!’
An excerpt from the new novel by Sasha Fletcher.
Travelling Secretary
Emmanuel Iduma
‘My life unfolded within the net effect of my father’s choices.’
Memoir by Emmanuel Iduma.
Confluences
Kate Harris
‘The creek was fringed with tall grass and clear as breath.’
Kate Harris in the Taku River Tlingit First Nation.
I Know What Spring Is Like: Clarice, Crônicas and Corcovado
Sinéad Gleeson
‘A state of grace, Lispector writes, should be short-lived, episodic.’
Sinéad Gleeson on Clarice Lispector’s Brazil.
Naomi
Sarah Hall
‘When I was eight, my mother died and Naomi arrived.’
An excerpt from Burntcoat by Sarah Hall.
Two Poems
Edmund Hardy
‘Feeling Real’ and ‘I Miss Myself / Shared Oranges’ by poet and filmmaker Edmund Hardy.
