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Explore Essays and memoir

How I Became an SJW

Anouchka Grose

‘I had become a pacifist in the time it took to run between the bedroom and the bathroom of a London flat.’

American Orchard

Diana Matar & Max Houghton

‘This unsettling imagery points to a dereliction of civic duty.’ Max Houghton introduces photographs by Diana Matar.

Populism and Humour

William Davies

‘As reality has grown more absurd, the job of satirists has grown harder.’

Harmflesh

Margie Orford

‘This burning girl that I am with skin stretched white hot across unfair flesh. Harmflesh.’

Normalnost

Peter Pomerantsev

‘Is there another way to look at the Russianisation of reality?’

Two Keiths and the Wrong Piano

Hanif Kureishi

‘My response to the music had reminded me that concealed inside myself was a more excitable and open self raring to get out.’

Letters from Prison

Basel Ghattas & Einat Weizman

Letters from Basel Ghattas, an Israeli-Arab member of parliament imprisoned for smuggling cell phones to Palestinian prisoners.

Confessions of a White Vampire

Jeremy Narby

‘Many of the people I was living with considered me a white vampire, who killed to extract human fat.’ Jeremy Narby on the Amazonian myth of the white vampire.

First Course

Zoe Tennant

‘Indigenous chefs will tell you that their dishes are Indigenous, not Canadian. With the plate, these chefs demonstrate that the food is the land, and that the land is still theirs.’ Zoe Tennant on Indigenous cuisines.

Charlotte Collins | Notes on Craft

Charlotte Collins

Charlotte Collins on the craft of translation. ‘Literary translators don’t just translate the ‘meaning’ of a text; we translate the feel of it.’

When We Returned to Pakistan

Bina Shah

Bina Shah on growing up in Pakistan. ‘Culture shock was what they called it in those days, but to me it felt like a kidnapping.’

Imperium

Ryszard Kapuściński

Ryszard Kapuściński, once the only foreign correspondent for the Polish Press Agency, on the concept of borders.

Diana Athill

Margaret Atwood

Margaret Atwood on Diana Athill. ‘Diana was admired by all who knew her, and also by all who read her memoirs, for her honesty, her plain but elegant style, her lack of pretenses, and her stoicism in the face of ever-narrowing possibilities.’