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It’s Only Skin
Lily Dunn
‘I knew what it was to be an object of desire, and to be submissive.’ Lily Dunn on being a painter's model as a girl.
I’m Black So You Don’t Have to Be
Colin Grant
'Can the black author really write out of her or his colour? In writing about black characters can they ever escape race?' Colin Grant looks at the evolution of racial politics.
Jailbait
Ottessa Moshfegh
‘Part of what made him interesting was that I felt he would dismiss me the moment I bored him.’
Jennifer
Amitava Kumar
‘I was overcome by a feeling that took root then and has never left me, the feeling that in this land that was someone else’s country, I did not have a place to stand.’
Jeremy Gavron | Notes on Craft
Jeremy Gavron
‘Is the conventional novel the closest model we have to our condition? Or simply the bedtime story that most comforts us?’
Johnny Kingdom
Chris Power
'Andy doesn't like any of the names for what he does. He rejects 'impersonator', and resists 'tribute act', although he knows it comes closest.' From Chris Power's exceptional collection of short fiction, Mothers
Karl Kraus and Veza
Elias Canetti
‘It was natural that the rumors about both these people should reach me at the same time; they came from the same source, from which everything new for me came at that time.’
Karl Ove Knausgaard | The Proust Questionnaire
Karl Ove Knausgaard
'What is your most unappealing habit? Maybe all the brain-like chewing gums I leave behind everywhere I work.'
Katharine Kilalea and Emily Berry In Conversation
Katharine Kilalea & Emily Berry
Katharine Kilalea and Emily Berry discuss architecture, psychoanalysis and the different types of exposure that come with writing prose and poetry.
Kathryn Scanlan | Notes on Craft
Kathryn Scanlan
‘I try to write a sentence as unbudging and fully itself as some object sitting on a shelf in my office.’
Kent Will Tear Us Apart
Neil Belton
All the Devils Are Here was cursed with the status of a cult classic. It’s a book that people who’ve read it, especially writers, can never forget.
Kestrel
Cynan Jones
‘A kestrel is not domestic. The one time I tried affection the bird put his beak through my lip.’
