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George Saunders | Podcast
George Saunders & Ted Hodgkinson
George Saunders talks about allowing his characters access to goodness, why he avoids ‘auto-dark’ in his stories, and the death of David Foster Wallace.
Glow
Ned Beauman
‘Growing up, you got so used to all your secrets being sad or shameful that you came to assume they were, like alkyl halides, intrinsically neurotoxic, and now he had learned for the first time that they weren’t.’
Granta Best of Young British Novelists 4 Audiobook
Ellah Allfrey
In the first partnership of its kind, Audible and Granta magazine are collaborating on the unabridged audiobook production of Granta 123: Best of Young British Novelists 4.
Granta China | Interview
Patrizia van Daalen, Peng Lun & Ted Hodgkinson
‘Young perspectives always facilitate access to a culture because they are more easily accepted, and it is easier, most times, to assimilate with them.’
Granta Norway | Interview
Trude Rønnestad & Ted Hodgkinson
‘To an extent I have tried to make the issue span the full spectrum of Norwegian literature.’
Granta Portugal | Interview
Carlos Vaz Marques & Ted Hodgkinson
‘We’ve kept the issue a secret because our goal was to offer a genuine feeling of discovery to Granta Portugal’s subscribers.’
Granta Sweden | Interview
Johanna Haegerström & Saskia Vogel
‘If there are any tensions between Swedish writers it has more to do with style: writers who incline towards a more classical, epic storytelling versus writers who engage in more experimental uses of language.’
Guadalupe Nettel | Best Untranslated Writers
Santiago Roncagliolo
‘When I met her, I kept thinking: is she looking at me? Or rather, is she looking inside me?’
Handkerchief
Ghassan Zaqtan
‘Nothing’s left to say between us / everything went / into the train that hid its whistle.’
Héctor Abad | First Sentence
Héctor Abad
‘Ever since this happened to me, I haven’t really believed in free will.’
Helen Mort | Interview
Helen Mort & Rachael Allen
‘I think there’s something seductive and liberating about the way you can create shadowy characters in a poem.’
