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The One It Came All This Way For
Victoria Adukwei Bulley
‘all the furs & bright feathers won’t beat / the sunlight on my face like I’m the one it came / all this way for’
Victoria Adukwei Bulley writes four poems in response to twenty-eight photographs from Magnum Photos.
Sakraman
Derek Owusu
‘Between the boy and the fox there were no names.’
Fiction by Derek Owusu, in response to twenty-nine photographs from Magnum Photos.
Working the Soil and the Cloud
Danny Franzreb & Atossa Araxia Abrahamian
‘Like all money, Bitcoin is valuable only to the degree that people believe in its value.’
Photography by Danny Franzreb, introduced by Atossa Araxia Abrahamian.
The Last Freeminers of England
William Atkins & Tereza Červeňová
‘It is a principle of freemining that you leave nothing of value on site, nothing other than the mine itself, which is of value only to a freeminer.’
William Atkins visits the Forest of Dean, with photography by Tereza Červeňová.
Death by GPS
Salvatore Vitale
‘The old romantic warning not to trust a machine more than one’s own intuition has renewed urgency in the digital age.’
Photography by Salvatore Vitale, introduced by Granta.
Interview
Teju Cole & Alice Zoo
‘Each successive image has to have the simultaneous feeling of being unanticipated and of being right.’
Teju Cole speaks to Alice Zoo about sequencing, portraiture, and the interplay between image and text.
You’re a Londoner
Kalpesh Lathigra & Guy Gunaratne
‘For you, an image makes sight sacrosanct. It wasn’t always like that.’
Guy Gunaratne introduces photography by Kalpesh Lathigra.
Shooting Stars in Your Black Hair
Joanna Biggs & Jack Latham
‘To be in a hair salon is to be bubble-wrapped against the world – or at least that’s the fantasy.’
Joanna Biggs on salons, intimacy and the photography of Jack Latham.
FC St Pauli
Ilyes Griyeb & Imogen West-Knights
‘If a bar has a St Pauli flag, they know they will find reliably leftish people inside.’
Imogen West-Knights introduces Ilyes Griyeb’s photographs.
Out of the Woods
Elena Helfrecht & Hanna Engelmeier
‘Helfrecht’s forest is a place where dead wood has taken on the form of a woman, where we stare wild animals in the eye, where we suspect body parts may be hidden under the snow.’
Hanna Englemeier introduces photography by Elena Helfrecht. Translated by Peter Kuras.
Have a Good Trip with Trabant
Martin Roemers & Durs Grünbein
‘Question: ‘What do a Trabant and a condom have in common?’ Answer: ‘Both decrease the pleasure of the ride.’’
Durs Grünbein introduces photography by Martin Roemers.
