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Agnes of Iowa

Lorrie Moore

‘Through college she had been a feminist – more or less. She shaved her legs, but just not often enough, she liked to say.’

In the Cut

Susanna Moore

An excerpt from In the Cut, by Susanna Moore

Squish Me Tender

D. Mortimer

‘I wasn’t sure if I was having an orgasm or evolving.’

Always the Same Snow and Always the Same Uncle

Herta Müller

‘Who knows: what I write I must eat, what I don’t write – eats me.’

Charlie Parker Plays Bossa Nova

Haruki Murakami

‘That was the setup for the review I wrote about this imaginary record.’ Translated from the Japanese by Philip Gabriel.

A Season on Earth

Gerald Murnane

‘He had forgotten in the seminary how many distractions there were in the world.’

Best Book of 2013:
The Crocodiles

Noor Naga

Noor Naga on why The Crocodiles by Youssef Rakha is the best book of 2013.

American Girl and Boy from Shobrakheit

Noor Naga

‘Question: is romance just a father who never carried you to bed carrying you, at last, to bed?’

Three Poems

Vi Khi Nao

‘To unfriend the refrain of sorrow / One must break the ribcage of a city’

Confessions of a White Vampire

Jeremy Narby

‘Many of the people I was living with considered me a white vampire, who killed to extract human fat.’ Jeremy Narby on the Amazonian myth of the white vampire.

The Ungrateful Refugee

Dina Nayeri

‘I was born in 1979, a year of revolution, and grew up in wartime.’ Dina Nayeri on growing up in the Islamic Republic of Iran.

The Cheffe

Marie NDiaye

‘She was proud, but there was no vanity in her pride.’

Interview

Sandra Newman

‘While you’re still arguing you still have hope.’

Best Book of 1952: The Palm-Wine Drinkard

Sandra Newman

Sandra Newman on why Amos Tutuola’s The Palm-Wine Drinkard is the best book of 1952.