‘Soaring and plunging, the revolution is like a kite in an uncertain wind.’
Soaring and plunging, the revolution is like a kite in an uncertain wind. People live normally, ordinarily – and also on the edge of sanity and peril. The cast of characters might be from one of those Renaissance canvases that seems to include everyone in Florence: the Jinotega coffee-grower who p…
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
‘We wanted work of the imagination. Fiction. Consciousness captured on the page.’
Guest editor and co-founder of Granta en Español introduces the issue.
‘But as everyone will surely know, that’s not what came to pass.’
Fiction by José Adiak Montoya, translated by Samantha Schnee.
‘I would explain to you then, if I could, the theory that in the case of hairline shape, there are two possible variants or alleles: straight, or widow’s peak.’
‘The wave had erupted with such force that it obliterated the glass lobby.‘
A short story by Gabriel García Márquez, translated by Nick Caistor.
Louise Stern on why Pedro Páramo is the best book of 1955.
‘Here were humanity’s wilder beauties and our horrors, the physical record of hatreds, lusts and quiet obsessions.’ A.L. Kennedy introduces Brad Feuerhelm’s photographic collection.
