My father worked for twenty-eight years in the Hoover washing machine factory in Merthyr Tydfil. In South Wales at that time, when most labour was hard, physical, badly paid and often dangerous, people said it was a good job.
Sign in to Granta.com.
‘The atmosphere in the house was thick with my father's depression.’
My father worked for twenty-eight years in the Hoover washing machine factory in Merthyr Tydfil. In South Wales at that time, when most labour was hard, physical, badly paid and often dangerous, people said it was a good job.
Sign in to Granta.com.
‘Feelings can be very obscure but numbers never lie.’
Kevin Brazil on metrics, obsession and fitness.
‘An intense workout is an ecstasy of punishment packaged as self-improvement.’
Mary Wellesley on exercise, ritual and Barry’s Bootcamp.
‘I was not good at sports because I would not do sports because I did not have the body for sports because I would not do sports.’
Saba Sams on girlhood, embodiment and avoiding sports.
‘Following United rarely brings me any great joy and most often it depresses me. If I could disengage, I would.’
Jonny Thakkar on Manchester United.
‘I deployed my body against an opponent like a blunt and effective instrument.’
John Patrick McHugh on playing Gaelic football.
Desmond Barry is the author of three novels: The Chivalry of Crime (2001), A Bloody Good Friday (2002) and Cressida’s Bed (2004). His work has also appeared in the New Yorker.
More about the author →
‘I tried to work out how many elements I would have plugged if I retired at sixty, and soon I was fatigued before a simple subtraction.’
Fiction by A. Jiang.
‘Finally! I thought. Now I get to work in a big factory. I was fifteen and a half years old. I was a child laborer.’
Xiao Hai on coming of age in the factories of Shenzhen, translated by Tony Hao.
‘in the Huangma Mountains, everything rots readily’
A poem by Zheng Xiaoqiong, translated by Eleanor Goodman.
‘Question: ‘What do a Trabant and a condom have in common?’ Answer: ‘Both decrease the pleasure of the ride.’’
Durs Grünbein introduces photography by Martin Roemers.
A short story by Jianan Qian on stray dogs, desperation and re-education in rural China during the Cultural Revolution.
‘If I had known she were heading for Tokyo then, and if I had known she thought of Tokyo as a city of zombies, I would have wanted to know, of course, whether she saw me that way, too.’
Granta magazine is run by the Granta Trust (charity number 1184638)
The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us.