‘What would I give / to be one of those swimmers in all this snow, / swallowed by the cold and the night’s strange radiance?’
Midnight, early February. Moonlight, trapped
between the snow still falling and the white earth,
is luminous from our sloped roof to the firs
that edge the common land. In the white curve
Sign in to Granta.com.
‘There was really no point in going to a bomb shelter just because the siren sounded. Our hotel was unlikely to be a target.’
Lindsey Hilsum writes letters home from Ukraine.
‘The recipe is a text that can produce spattering because it was spattering before it was language.’
Rebecca May Johnson on recipes, repetition and intimacy.
‘To make a subject of the very same entity I am a part of, to be outside and within it.’
Thomas Duffield photographs his family.
‘There sat the joy of the shopping centre, what I thought of as its secret heart. A white rabbit.’
A story by Dizz Tate.
‘We were ourselves migrating birds; in a sense, refugees, displaced persons, without a home or a home town.’
Volodymyr Rafeyenko (tr. Sasha Dugdale) on the war in Ukraine.
‘She offered herself in return / for her decimated town.’
‘Oarsman on the Drowning of Nisus’s Daughter Scylla’, ‘Pasiphaë on Her Granddaughter, Apemosyne’ and ‘The Chimp House’ by Fiona Benson.
Two poems by Fiona Benson, whose Vertigo & Ghost is shortlisted for the Rathbones Folio Prize 2020.
‘days I talked with Zeus / I ate only ice / felt the blood trouble and burn / under my skin’
‘I’ve always wanted to write from the gut, to write instinctively rather than cerebrally.’
‘I head down the path hoping she’ll come / but when I look back she’s gone and my own voice / snags at her name like barbed wire on skin.’
