Why do writers write? My acquaintances often ask me: ‘How did the idea of writing come to you?’ I give them an answer which could be regarded as flippant. I ask in my turn: ‘Why don’t you ask a tiger: “How did the idea of hunting come to you?”’
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‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
“I’m from here. I grew up here. In fact, that’s why the government invited me back for this work.”
Short fiction by Karan Mahajan.
‘India, as we know it, is changing. What will it become?’
Memoir by Amitava Kumar.
‘In Delhi the heat is chemical, something unworldly, a dry bandage or heating pad wrapped around the body.’
Memoir by Amitava Kumar.
‘Before chintziness there was chintz, a fabric produced in India and imported to Europe by colonial traders.’
Sam Johnson-Schlee on what chintz means.
A conversation between Kamila Shamsie and Sunjeev Sahota.
