‘There’s no copyright on titles,’ he said. ‘It wouldn’t be a good idea, probably, to call something “Death of a Salesman”, but you could do it.’
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‘Then winter ended and spring came, and I thought, even if I don’t believe there’s a poem in anything any more, maybe I’ll write a story.’
‘There’s no copyright on titles,’ he said. ‘It wouldn’t be a good idea, probably, to call something “Death of a Salesman”, but you could do it.’
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‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Ann Beattie's books include the story collections What Was Mine, The State We're In and The Accomplished Guest. Her most recent novel is A Wonderful Stroke of Luck.
More about the author →‘As I began to flip through a literary magazine, I was stopped by a photograph of myself as a young girl, standing beside my college professor.’
Ann Beattie shares five things she’s reading, watching and thinking about right now.
‘The word money popped up like a bit of the ocean’s detritus riding in on a wave, but her lips formed the words ‘Merry Christmas’.’
‘Several times I’ve wanted to title something one thing, but have realized or been persuaded it isn’t a good idea.’
‘Christine’s hair had begun to dry, and she looked different, with her hair down and her glasses on. Her earnestness made her look younger, and took me back to the bar where we’d sat in Pennsylvania years ago.’
Jesse Kirkwood’s translation of ‘Nocturne’ by Yūshō Takiguchi is the winner of the 2020 Harvill Secker Young Translators’ Prize.
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