‘Thank you for holding… What is the nature of your complaint?’
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‘The first few apartments Claude inspects have the air of people who haven't budged in years.’
‘Thank you for holding… What is the nature of your complaint?’
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Judy Budnitz was born in 1973 and grew up in Atlanta, Georgia. She is the author of a novel, If I Told You Once, which was was shortlisted for the Orange Prize, and two short-story collections: Flying Leap and Nice Big American Baby. She has received grants from the Lannan Foundation and the National Endowment for the Arts. Budnitz now lives in San Francisco.
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‘It’s right to extract bone from the afterlife’
A poem by Peter Gizzi.
‘I wish I could entrust my life to a more solid structure, but whatever. It’s not like anyone gets to file complaints around here.’
Fiction by Mateo García Elizondo, translated by Robin Myers.
‘Remember when we were / young and the end was a black hole at the edge of forever, / a million light years away.’
‘This series showcases a more intimate kind of human absence.’ Nam Le introduces the photographs of Bruno Fert.
‘I grew obsessed with the place, thinking that getting to see it, to experience it, would make the pain of that fall go away.’
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