‘My response to art was quick, metabolic and revelatory, while my response to sex was a muddle of delayed reactions and missed libidinal signals.’
A few weeks before the freshman semester at the School of Visual Arts in New York, I found a bachelor apartment (I loved the suave and manly sound of it) on East 12th Street between 2nd and 3rd Avenue. The basement windows were level with the sidewalk, the legs of pedestrians blurring past. If I pul…
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
David Gates and Bernard Cooper talk about their contributions to Granta 126: do you remember, untricky writing and purgatory mates.
‘They couldn’t put their finger on exactly what it was they craved, but they knew it was very different to what they had.’
Fiction by Vincenzo Latronico, translated by Sophie Hughes.
‘The presence of another person at the scene is suggested. The image invites you to imagine their position and to mentally assume it.’
Photography by Debmalya Ray Choudhuri, introduced by John-Baptiste Oduor.
‘We decided then to tell each other exactly how a typical fuck played out in our marriages. We couldn’t believe we’d never done this before.’
Fiction by Miranda July.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
