Orhan Pamuk speaks to Granta editor John Freeman about his latest book, The Museum of Innocence. Pamuk has been published four times in Granta.
Photograph by Maka Gogaladze
‘Orhan Pamuk speaks to Granta editor John Freeman about his latest book, The Museum of Innocence.’
Orhan Pamuk speaks to Granta editor John Freeman about his latest book, The Museum of Innocence. Pamuk has been published four times in Granta.
Photograph by Maka Gogaladze
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Orhan Pamuk, the 2006 laureate of the Nobel Prize in Literature, is the author of ten novels and the memoir Istanbul. One of Europe’s most prominent novelists, his work has been translated into over sixty languages. Pamuk’s novels are most frequently set in Istanbul – where the author was born and where he still lives – a bustling, vibrant, hybrid city, poised sometimes uncomfortably between Europe and the Middle East, history and modernity, Western-style liberalism and Islamic conservatism, adaptation and tradition. His fiction, much of which explores the fluidity of identity, is heavily influenced by both Western and Arabic literature. At once a local and a global writer, he has an enormous international readership.
Photograph © Hakan Ezilmez
John Freeman is the founder of the literary annual Freeman's and an executive editor at Alfred A. Knopf. He is also the author and editor of eleven books, including Dictionary of the Undoing; There's a Revolution Outside, My Love (co-edited with Tracy K Smith), and Wind, Trees, a new collection of poems. His work has appeared in The New Yorker, The Paris Review, and been translated into more than twenty languages. Once a month he hosts The California Book Club, an online discussion of a classic book of golden state literature for Alta magazine. He lives in New York City.
More about the author →‘In the part of the world where I come from, Europe is not just an ideal and a beautiful dream’ Translated from the Turkish by Ekin Oklap.
‘For the last thirty years I've been keeping track of the ships that sail through the Bosporus.’
‘How would I feel if I had messaged for years with someone that I later found out was an AI?’
Brea Souders speaks to Alice Zoo about chatbots, interconnection and the dialogue between photography and text in her work.
‘I am lying in the foetal position on a beach in the east of England.’
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