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Connecting Worlds, Inventing Worlds
José Eduardo Agualusa & Daniel Hahn
José Eduardo Agualusa and Daniel Hahn on translating and being translated. ‘As a humble, invisible translator, I let him get the last word.’
Dem bones, dem bones, dem dry bones
Edoardo Albert
Edoardo Albert, author of Warrior, writes about five archaeological findings that brought the past to life.
On Tastelessness
Adam O’Fallon Price
‘Write through your first ending is advice I give, again and again.’
Lauren Aimee Curtis | Notes on Craft
Lauren Aimee Curtis
‘I think that if we knew, really understood, the reasons why certain stories take hold of us, we would have no need for fiction at all.’ Lauren Aimee Curtis shares her notes on the craft of writing.
A Clean, Well-Lighted Place
Peter Stamm & Michael Hofmann
Peter Stamm on the oldest barber in Switzerland, and Michael Hofmann on translating Peter Stamm.
How to Take a Literary Selfie
Sylvie Weil
Sylvie Weil on what it means to take a literary selfie. Translated from the French by Ros Schwartz.
Jianan Qian | First Sentence
Jianan Qian
‘For every witness, history unfolded at some other time, and in some other place.’ Jianan Qian on the first sentence of her story, ‘To the Dogs’.
Little Nothings: Nabokov’s Road Notes
Elsa Court
Elsa Court on why Vladimir Nabokov immersed himself in the all-American world of roadside service stations.
Julia Armfield | First Sentence
Julia Armfield
‘A first line is a threat, I think.’ Julia Armfield on the first sentence of her story ‘Longshore Drift’.
