Photographs of the Rhône Glacier by Simon Norfolk and Klaus Thymann, with an introduction by Francis Hodgson.
‘They say they are too busy but actually they are too busy for you.’ A story by graphic novelist Tommi Parrish.
‘There are glimmers of the reality beyond, the promise of redemption even in the darkest places.’ Adam Foulds introduces the photography of Ian Willms.
‘Every time I remember that moment, I can’t help but cry. I was only twenty-one years old.’ A photoessay by Noriko Hayashi.
‘This series showcases a more intimate kind of human absence.’ Nam Le introduces the photographs of Bruno Fert.
‘It’s perhaps a truism that acts of devotion both make and unmake the devotional object.’ Daisy Lafarge introduces the photographs of Nicola Lo Calzo.
‘When I was 4 or 5 I sent the Queen of England drawings of monsters.’
‘It’s a shadow-world: strangely familiar, all the same.’ Daisy Hildyard introduces Mattieu Gafsou’s photoessay on transhumanism.
‘Zanele Muholi is a photographer, often described as one of the most powerful visual activists of our time, and a long-time advocate for their black LGBTQ+ community.’
A selection of correspondence with authors during the early years of the magazine.
A graphic story by Joff Winterhart.
‘This unsettling imagery points to a dereliction of civic duty.’ Max Houghton introduces photographs by Diana Matar.
‘To step inside Viviana Peretti’s camera obscura is to witness the very process by which memory is made.’
Jan Vegter’s remarkable visual and written record of the Nazi occupation of the Netherlands, translated from the Dutch by Theo de Feyter.
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