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The Skylight
Penelope Mortimer
‘Her body poured away inside the too-tight cotton suit and only her bloodshot feet, almost purple in the torturing sandals, had any kind of substance.’
The Colour Brown
Renu Sabherwal
‘It was, she thought, like trying on made-to-measure garments that have been tailored for someone bigger, smaller, rounder, thinner than you could ever hope to be.’
‘Doe Lea’
M. John Harrison
‘He was already suffering the attacks that would characterise the later stages of the illness, during which lights seemed to dance on the surface of everything. They were blue, lilac, pink and green, he said.’
Knickers
Colwill Brown
‘They’d practiced it ont bus into town: to mek sure Kel gorrin, they’d go past bouncer together, talking reyt loud about periods, so he wouldn’t even bother asking Kel her date of birth.’
The Celebration
Cathy Sweeney
‘I had just come home from boarding school when Father took me aside and told me that Mother was up to her old antics, letting the whole family down, and that if she continued, we’d have to act.’
Bonsai
Guadalupe Nettel
‘Bonsai have always prompted a kind of fear in me, or at least a puzzling discomfort.’
Mr A
Stephanie Soileau
‘At the front of the line, Jabowen and Mr A are talking. Or, more than talking, really. Julie has noticed this before – it’s impossible to miss – but today it worries her more deeply than she can quite admit.’
The Art of Waving
Andrea E. Macleod
‘I was only nine when I took to practicing the art of not waving. I felt an exhilarating power surge inside me and I ran all the way home, punching the air as I went.’
The Great Indian Tee and Snakes
Kritika Pandey
Kritika Pandey’s ‘The Great Indian Tee and Snakes’ is the overall winner of the 2020 Commonwealth Short Story Prize as well as the regional winner from Asia.
Death in Her Hands
Ottessa Moshfegh
‘Isn’t it sweet to look back at how my mind jumped to the most innocuous conclusion? That after so many years, at seventy-two, my imagination was still so naive?’
A Woman of No Information
Caoilinn Hughes
‘Maud tries to understand how her role is being rewritten on the spot – who the woman might be.’
