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Explore Essays and memoir

Climb the Mountains

Apricot Irving

'Harm that comes through the hands of those we love must be wrestled with; it does not simply disappear.'

20/20

Tatyana Tolstaya

'I didn't start out a writer, and had no plans of becoming one.' Tatyana Tolstaya, translated from the Russian by Anya Migdal

Lisa Moore | Notes on Craft

Lisa Moore

‘I wanted to explore what a “likeness” is, and how the act of capturing a person through a portrait might compare to writing a character.’

The Infinite Goldfish

Sara Baume

In the beginning, there was the goldfish.

The Advent of the AI Co-Author

Stuart Turton

Stuart Turton on the advent of AI co-authors

Moose Magic

Téa Obreht

Téa Obreht on a chance encounter with a moose in Wyoming, for Granta 142: Animalia

A Not-So-Pretty History of Pet Care

Daniel Magariel

‘One day after the next I would figure out what was needed, learn from my mistakes, pay attention to what worked.’

Cumbrian Fell Pony

Sarah Hall

Sarah Hall writes about the Cumbrian fell pony for Granta 142: Animalia.

American Maniac

Rafael Frumkin

‘I would peel wrappers off sandwiches, remove noodles from their boxes, fry up meat before any authorities had the chance to track me and my bounty down.’

Exquisite Corpse

Frances Stonor Saunders

‘Europe awoke to a freezing post-war dawn. The winter of 1947 was the worst ever recorded.’

The Agony and Ecstasy of Escape

Will Boast

Will Boast on how Bernini's Apollo and Daphne helped him write his latest novel

Introduction

Sigrid Rausing

Sigrid Rausing introduces Granta 142: Animalia.

Broken Animals

Britta Jaschinski

‘These bored, frustrated and hungry animals appear as reluctant figures in some unsolvable puzzle, or as victims of a grand experiment whose original purpose is lost in time.’

Slaughterhouse

Arnon Grunberg

‘I wonder whether there’s a real moral difference between killing an animal and killing a human being.’ Translated from the Dutch by Sam Garrett.