Granta | The Home of New Writing

Explore Essays and memoir

The Mask of Night

Lorna Gibb

‘I puzzled over the language but disentangled its meaning slowly, carefully, eager to connect’ Lorna Gibb on Shakespeare’s Juliet.

To Thine Own Self Be True

David Flusfeder

‘If Shakespeare’s characters stand for anything, it’s for a slipperiness of identity.’ David Flusfeder on a dog named Shakespeare.

Ariel’s Song

Romesh Gunesekera

‘It is to Shakespeare’s pages I return whenever I feel I am sinking. There I can be sure to find a lifeline.’

Fugee

Hawa Jande Golakai

‘Now we’ve fizzled into a ridiculous unsaid, a flaccid tale of love, or lack thereof, in the time of Ebola.’

First Sentence: Eliza Griswold

Eliza Griswold

‘This, of course, was years before anyone knew or cared who Boko Haram was.’

Aftermath

Peregrine Hodson

‘We have to find a way to balance life with memory.’

A Play on David Rakoff

A.M. Homes

‘He was rare and singular.’

Spirit Animals

Darrell Hartman

From The Revenant through Jurassic Park and Godzilla, Darrell Hartman traces the evolving meaning of megafauna in popular culture.

The Tree Farm

Cal Flyn

‘I was going north to find a tree farm, in a land where there are no trees.’

Best Book of 2003: The Curious Life of Robert Hooke

Daisy Hildyard

Daisy Hildyard on why Lisa Jardine's The Curious Life of Robert Hooke is the best book of 2003.

Best Book of 1981: Lanark

Lorna Gibb

Lorna Gibb on why Alasdair Gray's Lanark is the best book of 1981.

Barnby Dun

Colin Grant

‘Restored nature would be a phantom of its former self. The experience would be akin to visiting a wildlife park.’

Whale Fall

Rebecca Giggs

‘The whale as landfill. It was a metaphor, and then it wasn’t.’

Upriver

Kathleen Jamie

‘I liked the way she travelled: with her iPod in one pocket, her traditional Yup’ik woman’s knife, or ulu, in the other.’