Granta | The Home of New Writing

The Headless Woman

Drama Lessons for Young Girls

Tara Bergin

‘So the young girls, / cast as naughty young girls from the Acropolis, / left – / just with some things missing.’

My Last Day at Seventeen: Portraits from Russell Heights

Doug DuBois

Doug DuBois captures life at Russell Heights, a housing estate ‘of uncertain vintage that sits on Spy Hill above Cork harbour’.

The Visitor

Colin Barrett

‘The dog was some sort of overbred weedling with a ribcage fine-boned as a chicken’s, a wizened rat’s face and a goony, perpetually bloodshot stare that made Dev Hendrick want to punt the thing over the garden gate.’

Green, Mud, Gold

Sara Baume

‘She shuts her eyes and pictures ears growing out through her ears, her spine turning to wood, pictures herself as a girl-woman scarecrow, arms opened wide, and nailed to two posts in the centre of a great green, mud and gold expanse, crucified.’

The Birds of June

John Connell

‘Her dreams were interrupted occasionally by the sound of the cow and her newborn calf from the outhouse sheds. A low bellow would crinkle the folds of her mind and then seconds later it would be answered from some other shed in the distance.’

All We Shall Know

Donal Ryan

‘Thoughts sharpen themselves on the flints of one another and pierce me like a knife in my middle, sunk deep and twisted around.’

The Travellers

Birte Kaufmann

Birte Kaufmann examines the everyday, parallel world of Irish travellers.

A Visit to the Zoo

Colm Tóibín

‘The two chameleons in a glass case appeared to interest all of them, Heinrich thought, because of their beauty and their stillness. They looked like a pale painting.’

The Wonder

Emma Donoghue

‘Lib didn’t like to bang harder in case of disturbing the family. Brightness leaked from the door of the byre, off to her right. Ah, the women had to be milking. A trail of melody; was one of them singing to the cows?’

The Mountain Road

William Wall

‘Funeral homes are always cold. There were pine benches in lines like a church. They had been varnished recently and there was that heady smell. It reminded me of my father’s boat, the wheelhouse brightwork newly touched up. It was the smell of childhood.’

Through the Night

Siobhán Mannion

‘The person in the mirror watches her, slightly swollen, slightly blurred.’

Our Day Will Come: Loyalist, Republican

Stephen Dock

Stephen Dock explores a divided Belfast and reflects on the economic hardship that affects both side.

Kiddio at the Wedding

Mary O’Donoghue

‘If he fell in I would jump straight after, I would plumb through water not cold so much as oily, and dark as a dirty wine bottle.’

Party, Party

Belinda McKeon

‘Arlo’s matinee sleekness was so difficult to bear’

The Butcher

Stephen Sexton

‘Outside deer are nowhere to be seen and inside / the radio spectrum fills up with sorrowful little packets of data.’

Smile

Roddy Doyle

‘Then he said it. — Victor Forde, I can never resist your smile.’

The Mask of Night

Lorna Gibb

‘I puzzled over the language but disentangled its meaning slowly, carefully, eager to connect’ Lorna Gibb on Shakespeare’s Juliet.

Hell and Night

Noelle Kocot-Tomblin

‘The implication of Iago’s silence is that there is no hope for his redemption’ Noelle Kocot-Tomblin on ‘Othello’.

On Sonnet 50

Paula Bohince

‘I love Shakespeare’s slow insistence, which mirrors the action within the poem: there is nothing but grief to reach.’ Paula Bohince on Shakespeare’s sonnet 50.

Sonnet 3

Rae Armantrout

‘Your dad told me to tell you / how good you look to him right now.’ Rae Armantrout revisits Shakespeare’s sonnet 3.

To Thine Own Self Be True

David Flusfeder

‘If Shakespeare’s characters stand for anything, it’s for a slipperiness of identity.’ David Flusfeder on a dog named Shakespeare.

On Shakespeare and Aemilia Lanyer

Sandra Simonds

‘I gently propose that for the 400th anniversary of Shakespeare’s death we stop reading Shakespeare and shift our attention to the poems of Aemilia Lanyer’. Sandra Simonds on Shakespeare and Aemilia Lanyer.

Ariel’s Song

Romesh Gunesekera

‘It is to Shakespeare’s pages I return whenever I feel I am sinking. There I can be sure to find a lifeline.’

The Beacon & The Bane

Malerie Willens

‘In spite of my pining and missing, neither man seemed fully formed and I felt a little lonely in the presence of both.’

Fugee

Hawa Jande Golakai

‘Now we’ve fizzled into a ridiculous unsaid, a flaccid tale of love, or lack thereof, in the time of Ebola.’

Two Poems

Sandra Simonds

‘Police brutality makes me want to starve / myself to death and loneliness / is a drag’

Icons

Cortis & Sonderegger

Cortis & Sonderegger make the premise that there is truth left in photography more doubtful than ever before.

Five Things Right Now: Katy Simpson Smith

Katy Simpson Smith

Katy Simpson Smith shares five things she’s reading, watching and thinking about right now.

Torn Silk and Garlands of Garlic

Teffi

Teffi remembers the Armenian refugees in Novorossiisk during the Russian Revolution.

In the Third Person

Daniel Poppick

‘Over an exit, and deeply dreaming / A guard brutally splayed’

Two Poems

Astrid Alben

‘High up in atmosphere, vertigo intact inside Vodka & Lime’

Lucia Series

Jesse Ball

‘People love to say it to you like it counts: Oh, Lucia, she will live on in your memory.’

Ladivine

Marie NDiaye

‘We were hoping for a communion, and that communion never came.’

Civilization Spurns the Leopard

Solmaz Sharif

‘To step out of my door and hope to see something like a life, something passably me.’

Possible

Wendell Steavenson

‘I don’t know how to think about this. How to stretch compassion for one person into a million.’ Wendell Steavenson on Europe’s migrant-refugee crisis.

Two Poems

Tyehimba Jess

‘Let me tell you how / white hands kilned me / in the moonless middle / of night.’