Through The Long Clearing, through The Cutting, through
The Stick-Stockade. Through Valley of the Chain-Link,
through Blind-Ditch, through Field of Flowers.
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‘noce, the heart—the nut that gestates the tree of veins.’
Through The Long Clearing, through The Cutting, through
The Stick-Stockade. Through Valley of the Chain-Link,
through Blind-Ditch, through Field of Flowers.
Sign in to Granta.com.
‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Sylvia Legris, a poet whose 'work crackles with exuberant wackiness' (CBC/Radio-Canada), was born in Winnipeg, Manitoba. She is the author of the poetry collections The Hideous Hidden, Pneumatic Antiphonal, and Nerve Squall (winner of the Griffin Poetry Prize and Pat Lowther Award). Legris lives in Saskatoon, Saskatchewan.
More about the author →‘During the pandemic, birds (along with many insects and wild plants) have landed in my life and poems again.’
‘By the dog the minced oaths, / the god-wounds, the solemnly / declared chronical maladies.’
‘Political or not, the element Rauch works in is certainly what we call History.’
Fredric Jameson on the paintings of Neo Rauch.
‘To read it is to feel the alternative tempo in the rude repetitions of the thief who loves to steal.’
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