Sydney 1936: there in the Cahill’s cafe, a strange male voice intruded, ‘Edith–Alva–haven’t seen you both for years.’ It was like the voice from a gramophone with a worn needle.


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Sydney 1936: there in the Cahill’s cafe, a strange male voice intruded, ‘Edith–Alva–haven’t seen you both for years.’ It was like the voice from a gramophone with a worn needle.
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‘I alone know a running stream
that is recovery partly and dim sweat
of a day-fever’
A poem by Rowan Evans.
‘Humour is a thread we hang onto. It punctures through the fog of guilt.’
Momtaza Mehri in conversation with Warsan Shire.
‘Something shifted in me that night. A small voice in my head said, maybe you can make a way for yourself as a poet here, too.’
Mary Jean Chan in conversation with Andrew McMillan.
‘There was to be an exhibition. There were lots of pictures like his, apparently – of waiters, pastry cooks, valets, bellboys.’
An essay by Jason Allen-Paisant from Granta 159: What Do You See?
‘I have started to see that nothing is itself’
A poem by Jason Allen-Paisant from Granta 154: I’ve Been Away for a While.
Frank Moorhouse was born in Nowra, New South Wales and currently lives in France, the setting of his novel Loose Living. War Work, an excerpt of his novel Dark Place, appeared in Granta 70.
More about the author →
‘Rosella and her co-creators curate an archive of pain, of endurance, of love and belonging, of alienation and disconnection.’
Nicole R. Fleetwood introduces the photography of Raphaela Rosella.
‘It’s hard to find a spot where the colony hasn’t reached; the landscape is consistently interrupted.’
Dominic Guerrera introduces artwork by James Tylor.
Winner of the Commonwealth Writers Short Story Prize for the Pacific region.
‘The moments of relief in this awful year that will stick with me are roaming around at strange hours, walking in the middle of the road.’
‘The hard thing, as Alice saw it, was that something bad had happened to her and it was private and then it wasn’t.’
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