‘Bloody well wake up!’ Maureen’s mother called to her daughter, who slept in the kitchen bed recess. ‘I’m not waiting here all morning.’
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‘"Bloody well wake up!" Maureen's mother called to her -daughter, who slept in the kitchen bed recess.’
‘Bloody well wake up!’ Maureen’s mother called to her daughter, who slept in the kitchen bed recess. ‘I’m not waiting here all morning.’
Sign in to Granta.com.
‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Agnes Owens is the author of the novels Gentlemen of the West, Like Birds in the Wilderness, A Working Mother, and For the Love of Willie, shortlisted for the 1998 Stakis Prize. She is also the author of the short-story collection People Like That.
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‘What does that mean, vegan cheese? asks a lady who’d had no query about amuse-bouche.’
An extract from The Alternatives by Caoilinn Hughes.
‘it’s wrong / to let delicacies, even when suspect, go untried’
A poem by Natalie Shapero.
‘The recipe is a text that can produce spattering because it was spattering before it was language.’
Rebecca May Johnson on recipes, repetition and intimacy.
‘Life is not worth living / without salami.’
A poem by Sandra Cisneros.
‘What a strange, terrible, exciting present – something you have to defile in order to appreciate.’
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