Midnight, early February. Moonlight, trapped
between the snow still falling and the white earth,
is luminous from our sloped roof to the firs
that edge the common land. In the white curve
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‘What would I give / to be one of those swimmers in all this snow, / swallowed by the cold and the night’s strange radiance?’
Midnight, early February. Moonlight, trapped
between the snow still falling and the white earth,
is luminous from our sloped roof to the firs
that edge the common land. In the white curve
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‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Fiona Benson’s collection Bright Travellers, received the 2015 Seamus Heaney Centre Prize for First Full Collection and the 2015 Geoffrey Faber Memorial Prize. Her second book, Vertigo & Ghost, is the winner of the Forward Prize for Best Collection 2019, the Roehampton Prize for Best Poetry Colleciton 2019, and is shortlisted for the Rathbones Folio Prize 2020.
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‘She offered herself in return / for her decimated town.’
‘Oarsman on the Drowning of Nisus’s Daughter Scylla’, ‘Pasiphaë on Her Granddaughter, Apemosyne’ and ‘The Chimp House’ by Fiona Benson.
Two poems by Fiona Benson, whose Vertigo & Ghost is shortlisted for the Rathbones Folio Prize 2020.
‘days I talked with Zeus / I ate only ice / felt the blood trouble and burn / under my skin’
‘I’ve always wanted to write from the gut, to write instinctively rather than cerebrally.’
‘I head down the path hoping she’ll come / but when I look back she’s gone and my own voice / snags at her name like barbed wire on skin.’
‘Insofar as value for money is relevant to art, that audience – an attentive audience, a great audience – were determined to get it.’
Fiction by Nicola Barker.
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