It began as a chafing, a patch of dry skin, in the palm of his left hand. He ignored it at first, though at odd moments he found himself absent-mindedly rubbing the chapped flesh.
Sign in to Granta.com.
‘She got skinny and became a clairvoyant. And she wasn't even a stigmatic.’
It began as a chafing, a patch of dry skin, in the palm of his left hand. He ignored it at first, though at odd moments he found himself absent-mindedly rubbing the chapped flesh.
Sign in to Granta.com.
‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
John Biguenet is the author of seven books, including the story collection The Torturer’s Apprentice and the novel Oyster, as well as six plays, most recently Broomstick.
More about the author →‘The catastrophe had not happened to all of us, we began to understand, but to each of us.’
‘Was there a story? Yes, there was always a story .Did you write this one down? I've written them all down’.
‘To the inexperienced, hurricane stories always sound like exaggerations.’
‘There was very little I could do in life except get dressed, smoke the correct cigarettes.’
An extract from Nothing Special by Nicole Flattery.
‘I used to be ashamed of it, though I’m not sure what exactly felt shameful.’
On training to be an opera singer.
‘The bride and groom were there all the time, in the centre, as they should be. A good-looking couple. But lifeless, figures from stock.’
The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us.