Q. What is your name in Russian?
A. Ustin Voronkov.
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Q. What is your name in Russian?
A. Ustin Voronkov.
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Vanessa Manko was formerly Dance Editor of the Brooklyn Rail. She has danced with the Charleston Ballet Theater and taught writing at SUNY Purchase and New York University. ‘The Interrogation’ is an extract from her first novel, The Un-American.
More about the author →‘I feel like I’ll spend a great many years unravelling whatever is being stored inside of me just now.’
‘She is thorough in a way that is off putting to people. It makes for a good secretary, not a good conversationalist.’
Fiction by Madeline Cash.
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
‘Bolshevism, like most millenarian movements, proved a one-generation phenomenon.’
Yuri Slezkine on Soviet history and the generational arc of revolution.
‘I’m simply trying to do good, Sharon, in the way that I can.’
Fiction by Marie NDiaye, translated by Jordan Stump.
‘Just look at those nasty trees flaunt / their leaves, each one a tra-la-la.’
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