Hearing, they say, is the first of the senses we develop in the womb. For a certain time, inside our mothers’ bodies, the entire universe is a soundscape, nothing else exists.
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‘Hearing, they say, is the first of the senses we develop in the womb.’
Hearing, they say, is the first of the senses we develop in the womb. For a certain time, inside our mothers’ bodies, the entire universe is a soundscape, nothing else exists.
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Robyn Davidson was born in Queensland, Australia and now lives between London and India. Specializing in nomadic lifestyles, her works include Tracks, Desert Places, Traveling Light, The Picador Book of Journeys, and No Fixed Address. Her first piece for Granta was ‘Marrying Eddie’ in issue 70.
More about the author →‘By the end of our journey together we had signally failed to understand each other, yet an unlikely, even unprecedented connection had formed.’
’Shortly after its publication in 1980 I was surprised to learn that I had written a travel book’.
‘I turn to O’Connor’s music when I get tired of lying to myself. Her songs are allegorical free-falls. Spiritual chiaroscuros, even.’
Momtaza Mehri on Sinéad O’Connor.
‘Is there in fact a jostling for dominance between the art forms, some barely suppressed competitiveness?’
Adam Mars-Jones on music and ceremony.
‘gormandizing, gluttonous, lickerish, guttling’
Excerpts from Lydia Davis’s diary.
‘I groaned inwardly when anybody mentioned Pather Panchali and my small part in it.’
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