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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Christian Lorentzen writes for the London Review of Books, Harper’s Magazine and Bookforum.
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‘Corporate publishing is the channel through which literature happens to flow at this moment in history.’
Christian Lorentzen dissects the literary establishment.
‘The city, which is home to more than 300,000 people, is collapsing into the millions of shallow, square holes that have been cut into the ground.’
Nicolas Niarchos on mineral extraction in Manono, the Democratic Republic of the Congo.
‘The town’s fate was tied to poor development and ecological disaster.’
Amitava Kumar visits a Himalayan town.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
A journalist receives a troubling call about a friend in this excerpt from Madeleine Bunting’s new novel Ceremony of Innocence.
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