For more about the author, including critical perspectives and in-depth biographies, visit the British Council’s web pages on Taiye Selasi.
Photograph © Nadav Kander
Taiye Selasi talks about her mother’s garden, Rachmaninov and learning to speak Italian.
For more about the author, including critical perspectives and in-depth biographies, visit the British Council’s web pages on Taiye Selasi.
Photograph © Nadav Kander
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Taiye Selasi was born in London. She holds a BA from Yale and an MPhil from Oxford. Her short fiction was selected for The Best American Short Stories 2012 and she was named as one of Granta’s Best Young British Novelists in 2013. Her debut novel, Ghana Must Go, was published in 2013.
More about the author →‘She has the most genuine intentions of any woman out there.’
‘I am the full-time driver here. I am not going to kill my employers. I have read that drivers do that now.’
‘There has to be sameness if you are twins. If there isn’t it has to be invented.’
Taiye Selasi on trying to escape from twinhood.
Taiye Selasi, one of Granta’s Best Young British Novelists, shares a playlist of songs to write to.
A selection of Granta contributors discuss the books they read in 2012.
‘I was rather surprised to discover that I’d painted such a devastating portrait.’
Granta magazine is run by the Granta Trust (charity number 1184638)
The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us.