‘I believe in the harmony of my friendship to Gisela rather than in the binding force that the institution of marriage is said to represent.’
On the mantelpiece red carnations from the garden in a pale green vase. The vase, the dozen freshly cut flowers, the brightly lit interior are visible in the large framed mirror above the mantelpiece and call for a – or so it seems – special consideration, a special attention. In referring to Ge…
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
‘It took him only a moment to eliminate all doubt. The opportunity was ripe.’
‘How to explain this resolve to write, this firm unwavering intent to become a writer on the part of someone who may not even really care for books?’
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
‘My Czech family’s house stands on a geopolitical rift: it occupies a place the political storms sweep through, uprooting everything that is settled.’
An essay by Anna Parker.
‘From a dish washer to an author who writes about washing dishes.’
Memoir by Ilija Matusko, translated by Jen Calleja.
