Sunjeev Sahota speaks with Ellah Alfrey about his work, Midnight's Children and having a day job.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Sunjeev Sahota was born in Derby and currently lives in Leeds with his wife and daughter. His first novel Ours are the Streets was published in 2011. ‘Arrivals’ is an excerpt from The Years of the Runaways, his second novel, forthcoming from Picador.
More about the author →A conversation between Kamila Shamsie and Sunjeev Sahota.
‘But he couldn’t lose the sense that this was a turning point in his life, that she’d been delivered to him for a reason.’
‘I turn to O’Connor’s music when I get tired of lying to myself. Her songs are allegorical free-falls. Spiritual chiaroscuros, even.’
Momtaza Mehri on Sinéad O’Connor.
‘I lied about my age and I lied about my location and I lied about being horny.’
Fiction by Avigayl Sharp.
‘There can be any number of significant others in a life. Some we know for a long time; others are meteoric: we may see them only once.’
The editor introduces the issue.
A young film composer turns to prostitution in a short story by Naben Ruthnum, set in a Rome of the early 1970s.
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