Sunjeev Sahota speaks with Ellah Alfrey about his work, Midnight's Children and having a day job.
‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Sunjeev Sahota was born in Derby and currently lives in Leeds with his wife and daughter. His first novel Ours are the Streets was published in 2011. ‘Arrivals’ is an excerpt from The Years of the Runaways, his second novel, forthcoming from Picador.
More about the author →A conversation between Kamila Shamsie and Sunjeev Sahota.
‘But he couldn’t lose the sense that this was a turning point in his life, that she’d been delivered to him for a reason.’
‘Culture has been bound up since the beginning with extraction.’
The editor introduces the issue.
‘Many people in the country seem happy to accept mercenaries in exchange for stability.’
James Pogue on the Wagner Group in the Central African Republic.
‘After making sure our guests all had the drinks and/or drugs they required, I put on a Sun Ra record.’
A short story by Benjamin Kunkel.
‘They happen organically. If a can of Pepsi shows up it’s because I was thinking about a can of Pepsi.’
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