As soon as I walked in, I knew he wanted to touch it. It was a small lift, just a box on a rope really. You could hear the churning of the wheel high above, and the whole thing creaked as it wound you up through the building.
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As soon as I walked in, I knew he wanted to touch it. It was a small lift, just a box on a rope really. You could hear the churning of the wheel high above, and the whole thing creaked as it wound you up through the building.
Sign in to Granta.com.
‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Anne Enright has published essays, short stories, a non-fiction book about motherhood entitled Making Babies and four novels including The Gathering, winner of the 2007 Man Booker Prize. She lives in Dublin.
More about the author →‘The year I'm talking about, the year my sister left (or whatever you choose to call it), I was twenty-one and she was seventeen’.
‘We decided then to tell each other exactly how a typical fuck played out in our marriages. We couldn’t believe we’d never done this before.’
Fiction by Miranda July.
‘What does that mean, vegan cheese? asks a lady who’d had no query about amuse-bouche.’
An extract from The Alternatives by Caoilinn Hughes.
‘It’s true that public sex and cruising can be complicated, but I still believe in the solidarity that a look can forge between people.’
Amelia Abraham and Jack Parlett discuss cruising, nostalgia and the privatisation of public sex.
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
Ryszard Kapuściński, once the only foreign correspondent for the Polish Press Agency, on the concept of borders.
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