Today, my brothers, Mohammed and Rubel, are going to foreign. Mohammed is going to Africa and he wears a very handsome uniform.
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Today, my brothers, Mohammed and Rubel, are going to foreign. Mohammed is going to Africa and he wears a very handsome uniform.
Sign in to Granta.com.
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Tahmima Anam is the author of the Bengal Trilogy, which chronicles three generations of the Haque family from the Bangladesh war of independence to the present day. Her debut novel, A Golden Age, was awarded the Commonwealth Writers' Prize for Best First Book. It was followed in 2011 by The Good Muslim. The final instalment in the trilogy, Shipbreaker, was published in 2014 by Canongate in the UK and HarperCollins in the US. She lives in Hackney, east London, with her husband, the musician and inventor Roland Lamb.
More about the author →‘Two ways a man can go here, in the direction of God or the direction of believing there is nothing up there but a sun that will kill you whether you pray five times or not.’
An interview with Tahmima Anam, one of Granta's Best Young British Novelists.
Tahmima Anam shares a playlist of songs to write to.
‘If I had known it would put a continent between me and my children I would have killed that map-maker myself.’
‘Every time I tried to write more, it turned out to be a fruitless endeavor – I felt like I was trapped in a sealed room with no windows.’
Fiction by Yu Hua, translated by Michael Berry.
‘Long after I had ceased feeling guilty about my father’s death, I still felt defined by it.’
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